As Wichita waited for her foreman her thoughts were overcast by clouds
of sorrow and regret. The animosities that were directed upon
Shoz-Dijiji were colored by the shame she felt for having permitted her
heart to surrender itself to an Indian. That she had never openly
admitted the love that she had once harbored for a savage did not
reconcile her, nor did the fact that she had definitely and permanently
uprooted the last vestige of this love and nurtured hatred in its stead
completely clear her conscience.
It angered her that even while she vehemently voiced her belief that
Shoz-Dijiji had killed her father she still had doubts that refused to
die. She was bitter in the knowledge that though she had suggested that
he was stealing her cattle, deep in her heart she could not bring
herself to believe it of him.
Her somber reveries were interrupted by the approach of Kreff.
“There are a couple of things I wanted to speak to you about, ‘Smooth,’”
said the girl.
“Fire away, Chita,” said the man, with easy familiarity.
“In the first place I want you to pass the word around that the reward
for bringing in that Apache is off.”
“Why?” demanded the man.
“That’s my business,” replied the girl, shortly.
The words and her tone reminded Kreff of the dead Boss—she was her
father all over—and he said no more.
“The other thing is this report about cattle stealing,” she continued.
“Who said there was any cattle stealin’ goin’ on?” he asked.
“Luke has missed a few head off the east range.”
“Oh, that kid’s loco,” said Kreff. “They’ve drifted, an’ he’s too plumb
lazy to hunt ’em up.”
“‘Kansas’ has missed some, too, from up around the Little Mesa on the
north range,” she insisted. “I don’t know so much about Luke, he hasn’t
been with us so long; but ‘Kansas’ is an old hand—he’s not the kind to
do much guessing.”
“I’ll look into it, Chita,” said Kreff, “an’ don’t you worry your little
head no more about it.” There was something in his tone that made her
glance up quickly, knitting her brows. His voice was low and soothing
and protective. It didn’t sound like “Smooth” Kreff in spite of his
nickname, which, she happened to know, was indicative of the
frictionless technique with which he separated other men from their
belongings in the application of the art of draw and stud.
“You hadn’t ought to hev nothin’ to worry you,” he continued. “This here
business is a man’s job. It ain’t right an’ fittin’ thet a girl should
hev to bother with sech things.”
“Well, that’s what I’ve got you and the other boys for, ‘Smooth.’”
“Yes, but hired hands ain’t the same. You ought to be married—to a good
cow man,” he added.
“Meaning?” she inquired.
“Me.”
“Are you proposing to me, ‘Smooth’?”
“I shore am. What do you say? You an’ me could run this outfit together
fine, an’ you wouldn’t never hev to worry no more about nothin’.”
“But I don’t love you, ‘Smooth.’”
Public-domain text, read in full here on John Shaqi.
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