Shoz-Dijiji said nothing. He watched Luis leading Nejeunee away. He
waited. Wichita came close to him and laid her hands upon his breast as
she had once before, long ago. Again came the terrible urge to take her
in his arms, but this time he did not surrender to it.
“You sent for me?” he asked.
“To ask you to forgive me.”
“For what?”
“For everything,” she replied.
“There is nothing to forgive. You did not understand—that is all.”
“I understand now.”
“I am glad,” he said simply. “Is that all?”
“No. Kreff has left. I do not know why. He wouldn’t even stop for
supper. Just got his stuff and his check and rode away. I need another
foreman. Will you take the job?”
“Do you want me?”
“Yes.”
“Then I will take it. Now I go to the bunk house.”
“Wait.”
“Is there something more?”
“Yes. You know there is. Oh, Shoz-Dijiji, are you a man or a stone?” she
cried.
“I am an Apache, Senorita,” he said. “Do not forget that. I am an
Apache, and you are a white girl.”
“I do not care. I love you!” She came very close to him again.
“Are you very sure, Chita?” he asked. “You must make no mistake this
time.”
“I am very sure, Shoz-Dijiji.”
“We shall see,” he said, “for we must both be sure. Shoz-Dijiji will be
very happy if he finds that you can love him even though he is an
Indian—then he will tell you something that you will be glad to know,
but not now.”
“There is something that you could tell me now that I should like to
hear, Shoz-Dijiji,” she whispered.
“What is that?”
“You have not told me that you love me.”
The war chief took his mate into his arms and looked down into her
tear-filled eyes.
“Shoz-Dijiji no sabe,” he said, smiling. Then he bent and covered her
lips with his.
In the east pasture a filly nickered, and a pinto stallion arched his
neck and answered her.
THE END
TRANSCRIBER NOTES
Misspelled words and printer errors have been corrected. Where multiple
spellings occur, majority use has been employed.
Punctuation has been maintained except where obvious printer errors
occur. Contractions have been standardized to include apostrophes on the
following: won’t, don’t, ain’t, agin’, hain’t, an’, ’em, ’ere, and ’ary.
Some illustrations were moved to facilitate page layout.
A cover was created for this eBook and is placed in the public domain.
Public-domain text, read in full here on John Shaqi.
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