Apes and Monkeys: Their Life and LanguageGarner, R. L. (Richard Lynch)
Science
Apes and Monkeys: Their Life and Language
Garner, R. L. (Richard Lynch)
Apes; Monkeys; Sound production by animals; Speech
Moses was dead. His cold body lay in its usual place; but it was
entirely covered over with the piece of canvas kept in the cage for
bed-clothing. I do not know whether or not Aaron had covered him up,
but he seemed to realize the situation. I took him by the hand and
lifted him out of the cage, but he was reluctant. I had the body
removed and placed on a bench about thirty feet away, in order to
dissect it and prepare the skin and the skeleton for preservation.
When I proceeded to do this, I had Aaron confined to the cage, lest he
should annoy and hinder me at the work; but he cried and fretted until
he was released. It is not meant that he shed tears over the loss of
his companion, for the lachrymal glands and ducts are not developed in
these apes; but they manifest concern and regret, which are motives of
the passion of sorrow. But being left alone was the cause of Aaron’s
sorrow. When released he came and took his seat near the dead body,
where he sat the whole day long and watched the operation.
After this Aaron was never quiet for a moment if he could see or hear
me, until I secured another of his kind as a companion for him; then
his interest in me abated in a measure, but his affection for me
remained intact. His conduct towards Moses always impressed me with the
belief that he appreciated the fact that the sick one was in distress
or pain, and while he may not have foreseen the result, when he saw
death he certainly knew what it was. Whether it is instinct or reason
that causes man to shrink from death, the same influence works to the
same end in the ape; and the demeanor of this ape towards his later
companion, Elisheba, only confirmed this opinion.
CHAPTER XVI
Aaron and Elisheba--Their Characteristics--Anecdotes--Jealousy of Aaron
Four days after the death of Moses I secured passage on a trading
boat that came into the lake. The boat was a small affair, intended
for towing canoes, and not in any way prepared to carry passengers
or cargo; but I found room in one of the canoes to set the cage I
had provided for Aaron, stowed the rest of my effects wherever space
permitted, and embarked for the coast.
Our progress was slow and the journey tedious. The only passage out of
the lake at that season is through a long, narrow, winding creek beset
by sand bars, rocks, logs, and snags, and in some places overhung by
low, bending trees. But the wild, weird scenery is grand and beautiful.
Long lines of bamboo, broken here and there by groups of pendanus or
stately palms; islands of lilies, and long sweeps of papyrus spreading
away from the banks on either side; the gorgeous foliage of aquatic
plants, drooping along the margin like a massive fringe and relieved by
clumps of tall, waving grass, forms a perfect Eden for the birds and
the monkeys that dwell among those scenes of eternal summer.
Public-domain text, read in full here on John Shaqi.
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