Aphrodisiacs and Anti-aphrodisiacs: Three Essays on the Powers of ReproductionDavenport, John
Philosophy
Aphrodisiacs and Anti-aphrodisiacs: Three Essays on the Powers of Reproduction
Davenport, John
Phallicism; Sex; Sex customs -- France -- History -- 17th century
"I have seen," says the Abbé Rosier, "mandrakes tolerably well
representing the male and female parts of generation, a resemblance
which they owe, almost entirely, to manual dexterity. For the intended
object, a mandrake is chosen having a strong root, which, at the end of
a few inches, bifurcates into two branches. As the root is soft, it
easily takes the desired form, which it preserves on becoming dry."[84]
The author then describes the process of producing the resemblance of
human hair, and which is similar to that given above.
In the year 1429, a Cordelier by name Brother Richard, fulminated from
the pulpit a vigorous sermon against the amulette then much in vogue,
and called "Mandragora." He convinced his auditors, both male and
female, of its impiety and inutility, and caused hundreds of those
pretended charms which, upon that occasion, were voluntarily delivered
up to him, to be publicly burnt. It is no doubt, to these mandragoras
that an old chronicler alludes in the following strophe:
J'ai puis vu soudre en France
Par grant dérision,
La racine et la branche
De toute abusion.
Chef de l'orgueil du monde
Et de lubricité;
Femme où tel mal habonde
Rend povre utilité.[85]
In the 15th century the mandrake enjoyed in Italy so great a reputation
as an erotic stimulant, that the celebrated Macchiavelli wrote a much
admired comedy upon it, called "_La Mandragora_." The subject of this
piece, according to Voltaire, who asserts "qu'il vaut, peut être mieux
que toutes les pièces d'Aristophane, est un jeune homme adroit qui veut
coucher avec la femme de son voisin. Il engage, avec de l'argent, un
moine, un _Fa tutto_ ou un _Fa molto_, à séduire sa maitresse et à faire
tomber son mari dans un piège ridicule. On se moque tout le long de la
pièce, de la religion que toute l'Europe professe, dont Rome est le
centre et dont le siège papal est le trone."[86]
Callimaco, one of the dramatis-personæ of this comedy, thus eulogizes
the plant in question, "Voi avete a intendere che non è cosa più certa a
ingravidare, _d'una pozione fatta di Mandragola_. Questa è una cosi
sperimentata da me due para di volte, e se non era questa, la Reina di
Francia sarebbe sterile, ed infinite altre principesse in quello
Stato."[87]
"You must know that nothing is so sure to make women conceive, as a
draught composed of Mandragola. That is a fact which I have verified
upon four occasions, and had it not been for the virtues of this plant,
the queen of France, as well as many noble ladies of that kingdom, would
have proved barren."
Public-domain text, read in full here on John Shaqi.
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