Appletons' Popular Science Monthly, February 1899: Volume LIV, No. 4, February 1899Various
Science
Appletons' Popular Science Monthly, February 1899: Volume LIV, No. 4, February 1899
Various
Science -- Periodicals; Technology -- Periodicals
=Decorated Skulls and the Power ascribed to them.=--A collection of
sixteen skulls--eight of men, seven of women, and one of a child--from
New Guinea, is described by George A. Dorsey in the publications of
the Field Columbian Museum, Chicago. They were received from a native
chief, who used them for the adornment of his house, and is said to
have prized them as trophies of war. They are decorated in the frontal
region by engraved designs, and the parts are attached to one another
by very skillfully adjusted cords. The ornamentation and the bindings
are the subject of a special comment by William H. Holmes. Importance
is attached by natives of New Guinea to the preservation of the skulls
of friends as mementoes and of foes as trophies, and of both
categories on account of the virtue--the best qualities of the
individuals whose skulls they are--which they are supposed to impart
in some mysterious way to their possessor. Hence special care is taken
to have them preserved in detail, and that no part be lost. In the
present specimens the jaws were secured by fastenings at right and
left and in front. The teeth were carefully tied in, and when lost
were replaced by artificial teeth. A cord was fastened around the back
molar on one side, and carried along, inclosing each tooth in turn, in
a loop, so as to make a very effective fastening when the cord was
tightly drawn and attached to the back molar on the other side. The
lower jaw was very firmly fastened to the skull by closely wrapped
cords tightened by binding the strands around the middle portion. In
some cases these fastenings are very elaborate and neat; in others,
imperfect and slovenly. All the skulls in the collection are decorated
with designs engraved on the frontal bone, and in some cases the
figures run back. The execution of the work is not of a very high
order, but is rather irregular and scratchy. Nearly all embody easily
distinguished animal forms, and the more formal or nearly geometric
ones are probably animal derivatives or representations of land,
water, or natural phenomena. They are possibly totemic or
mythological.
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