After all, the value of these expositions is chiefly educational, and surely no more perfect way of educating the visitor or sightseer could be found than by placing before him a historical series of products, beginning with the one made first in point of time, continuing with better specimens, showing the improvements that have resulted from increased experience and knowledge, and culminating with the finest product now made. The contrast between the first and the last would be indeed most striking. It must not be thought from the foregoing remarks that these interstate expositions have been lacking in the presentation of the products of their own home industries. Far from it. In San Francisco, in Atlanta, in Nashville, and in Omaha the local manufacturers did themselves great credit by the admirable way in which their goods were shown, but it was just in this particular feature that the weak point indicated previously made itself most conspicuous. A local silversmith could hardly be expected to compete with the more famous manufacturers in the same line in larger cities, and yet in the absence of an exhibit by the better known firm an award would naturally be given to the smaller manufacturer, thus creating a false impression to the world at large. It must not be assumed that the educational value of the exhibits in the Commerce Building is without commendation. Next to making a thing, the seeing of it is most important, and surely no one can pass along the aisles of any exposition without noticing much that is new or unusual, no matter what his previous experience may have been. It is in this connection that the foreign section is frequently most instructive. Warm furs from Russia and the north, rich fabrics and strange metal ware from the Orient, rare porcelains from Copenhagen, and brilliant glassware from Bohemia and Hungary, tell the story with striking vividness of the special products of the Old-World nations.