Appletons' Popular Science Monthly, September 1899: Vol. LV, May to October, 1899Various
Science
Appletons' Popular Science Monthly, September 1899: Vol. LV, May to October, 1899
Various
Science -- Periodicals; Technology -- Periodicals
It is indeed hard to account for the strange misconceptions which
prevail as to what really constitutes genuine African music. The "coon
songs" which are so generally sung are base imitations. The white man
does not live who can write a genuine negro song. At home there used
to be a rare old singer, an old Kentucky mammy, whom everybody loved.
She once said: "Us ole heads use ter make 'em up on de spurn of de
moment, arter we wrassle wid de Sperit and come thoo. But the tunes
was brung from Africa by our granddaddies. Dey was jis 'miliar songs.
Dese days dey calls 'em ballots, but in de ole days dey call 'em
spirituals, case de Holy Spirit done revealed 'em to 'em. Some say
Moss Jesus taught 'em, and I's seed 'em start in meetin'. We'd all be
at the 'prayer house' de Lord's Day, and de white preacher he'd splain
de word and read whar Ezekial done say--
"'Dry bones gwine ter lib ergin.'
And, honey, de Lord would come a-shinin' thoo dem pages and revive dis
ole nigger's heart, and I'd jump up dar and den and holler and shout
and sing and pat, and dey would all cotch de words and I'd sing it to
some ole shout song I'd heard 'em sing from Africa, and dey'd all take
it up and keep at it, and keep a-addin' to it, and den it would be a
spiritual. Dese spirituals am de best moanin' music in de world, case
dey is de whole Bible sung out and out. Notes is good enough for you
people, but us likes a mixtery. Dese young heads ain't wuth killin',
fur dey don't keer bout de Bible nor de ole hymns. Dey's completely
spiled wid too much white blood in 'em, and de big organ and de
eddication has done took all de Holy Spirit out en 'em, till dey ain't
no better wid der dances and cuttin' up dan de white folks."
The negro usually sang religious music at his work. He was often
turned out of church for crossing his feet or singing a "fiddle sing,"
which is a secular song, but he could steal all the chickens he wanted
and never fall from grace. One of the most persistent fancies that the
old slaves cherished was that they were the oppressed Israelites, that
the Southerners were the cruel Egyptians, and that Canaan was freedom.
Bondage was of course their slavery. They believed that some day the
Red Sea would come in a sea of blood, which was verified in the civil
war. In many of their songs they appropriate Bible prophecies and
ideas to themselves. The song given on the opposite page is a
characteristic one, illustrating many peculiarities; and if it did not
come from Africa, where did it come from?
Public-domain text, read in full here on John Shaqi.
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