Appreciations and Criticisms of the Works of Charles DickensChesterton, G. K. (Gilbert Keith)
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Appreciations and Criticisms of the Works of Charles Dickens
Chesterton, G. K. (Gilbert Keith)
Dickens, Charles, 1812-1870 -- Criticism and interpretation
Examine for example this case of the waiter in _Somebody's Luggage_.
Dickens obviously knew enough about that waiter to have made him a
running spring of joy throughout a whole novel; as the beadle is in
_Oliver Twist_, or the undertaker in _Martin Chuzzlewit_. Every touch of
him tingles with truth, from the vague gallantry with which he asks,
"Would'st thou know, fair reader (if of the adorable female sex)" to the
official severity with which he takes the chambermaid down, "as many
pegs as is desirable for the future comfort of all parties." If Dickens
had developed this character at full length in a book he would have
preserved for ever in literature a type of great humour and great value,
and a type which may only too soon be disappearing from English history.
He would have eternalised the English waiter. He still exists in some
sound old taverns and decent country inns, but there is no one left
really capable of singing his praises. I know that Mr. Bernard Shaw has
done something of the sort in the delightfully whimsical account of
William in _You Never Can Tell_. But nothing will persuade me that Mr.
Bernard Shaw can really understand the English waiter. He can never have
ordered wine from him for instance. And though the English waiter is by
the nature of things solemn about everything, he can never reach the
true height and ecstasy of his solemnity except about wine. What the
real English waiter would do or say if Mr. Shaw asked him for a
vegetarian meal I cannot dare to predict. I rather think that for the
first time in his life he would laugh--a horrible sight.
Public-domain text, read in full here on John Shaqi.
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