Appreciations and Criticisms of the Works of Charles DickensChesterton, G. K. (Gilbert Keith)
General
Appreciations and Criticisms of the Works of Charles Dickens
Chesterton, G. K. (Gilbert Keith)
Dickens, Charles, 1812-1870 -- Criticism and interpretation
With the exception of a few fine freaks, such as Turveydrop and
Chadband, all the figures in this book are touched more delicately, even
more faintly, than is common with Dickens. But if the figures are
touched more faintly, it is partly because they are figures in a
fog--the fog of Chancery. Dickens meant that twilight to be oppressive;
for it was the symbol of oppression. Deliberately he did not dispel the
darkness at the end of this book, as he does dispel it at the end of
most of his books. Pickwick gets out of the Fleet Prison; Carstone never
gets out of Chancery but by death. This tyranny, Dickens said, shall not
be lifted by the light subterfuge of a fiction. This tyranny shall never
be lifted till all Englishmen lift it together.
CHILD'S HISTORY OF ENGLAND
There are works of great authors manifestly inferior to their typical
work which are yet necessary to their fame and their figure in the
world. It is not difficult to recall examples of them. No one, for
instance, would talk of Scott's _Tales of a Grandfather_ as indicating
the power that produced _Kenilworth_ and _Guy Mannering_. Nevertheless,
without this chance minor compilation we should not really have the key
of Scott. Without this one insignificant book we should not see his
significance. For the truth was that Scott loved history more than
romance, because he was so constituted as to find it more romantic than
romance. He preferred the deeds of Wallace and Douglas to those of
Marmion and Ivanhoe. Therefore his garrulous gossip of old times, his
rambles in dead centuries, give us the real material and impulse of all
his work; they represent the quarry in which he dug and the food on
which he fed. Almost alone among novelists Scott actually preferred
those parts of his historical novels which he had not invented himself.
He exults when he can boast in an eager note that he has stolen some
saying from history. Thus _The Tales of a Grandfather_, though small, is
in some sense the frame of all the Waverley novels. We realise that all
Scott's novels are tales of a grandfather.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account