Appreciations and Criticisms of the Works of Charles DickensChesterton, G. K. (Gilbert Keith)
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Appreciations and Criticisms of the Works of Charles Dickens
Chesterton, G. K. (Gilbert Keith)
Dickens, Charles, 1812-1870 -- Criticism and interpretation
The complete proof of this depression may be difficult to advance;
because it will be urged, and entirely with reason, that the actual
examples of it are artistic and appropriate. Dickens, the Gissing school
will say, was here pointing out certain sad truths of psychology; can
any one say that he ought not to point them out? That may be; in any
case, to explain depression is not to remove it. But the instances of
this more sombre quality of which I have spoken are not very hard to
find. The thing can easily be seen by comparing a book like _Little
Dorrit_ with a book like _David Copperfield_. David Copperfield and
Arthur Clennam have both been brought up in unhappy homes, under bitter
guardians and a black, disheartening religion. It is the whole point of
David Copperfield that he has broken out of a Calvinistic tyranny which
he cannot forgive. But it is the whole point of Arthur Clennam that he
has not broken out of the Calvinistic tyranny, but is still under its
shadow. Copperfield has come from a gloomy childhood; Clennam, though
forty years old, is still in a gloomy childhood. When David meets the
Murdstones again it is to defy them with the health and hilarious anger
that go with his happy delirium about Dora. But when Clennam re-enters
his sepulchral house there is a weight upon his soul which makes it
impossible for him to answer, with any spirit, the morbidities of his
mother, or even the grotesque interferences of Mr. Flintwinch. This is
only another example of the same quality which makes the Dickens of
_Little Dorrit_ insist on the degradation of the debtor, while the
Dickens of _David Copperfield_ insisted on his splendid
irresponsibility, his essential emancipation. Imprisonments passed over
Micawber like summer clouds. But the imprisonment in _Little Dorrit_ is
like a complete natural climate and environment; it has positively
modified the shapes and functions of the animals that dwell in it. A
horrible thing has happened to Dickens; he has almost become an
Evolutionist. Worse still, in studying the Calvinism of Mrs. Clennam's
house, he has almost become a Calvinist. He half believes (as do some of
the modern scientists) that there is really such a thing as "a child of
wrath," that a man on whom such an early shadow had fallen could never
shake it off. For ancient Calvinism and modern Evolutionism are
essentially the same things. They are both ingenious logical blasphemies
against the dignity and liberty of the human soul.
Public-domain text, read in full here on John Shaqi.
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