Appreciations and Criticisms of the Works of Charles DickensChesterton, G. K. (Gilbert Keith)
General
Appreciations and Criticisms of the Works of Charles Dickens
Chesterton, G. K. (Gilbert Keith)
Dickens, Charles, 1812-1870 -- Criticism and interpretation
Nothing is important except the fate of the soul; and literature is only
redeemed from an utter triviality, surpassing that of naughts and
crosses, by the fact that it describes not the world around us or the
things on the retina of the eye or the enormous irrelevancy of
encyclopaedias, but some condition to which the human spirit can come.
All good writers express the state of their souls, even (as occurs in
some cases of very good writers) if it is a state of damnation. The
first thing that has to be realised about Dickens is this ultimate
spiritual condition of the man, which lay behind all his creations. This
Dickens state of mind is difficult to pick out in words as are all
elementary states of mind; they cannot be described, not because they
are too subtle for words, but because they are too simple for words.
Perhaps the nearest approach to a statement of it would be this: that
Dickens expresses an eager anticipation of everything that will happen
in the motley affairs of men; he looks at the quiet crowd waiting for it
to be picturesque and to play the fool; he expects everything; he is
torn with a happy hunger. Thackeray is always looking back to yesterday;
Dickens is always looking forward to to-morrow. Both are profoundly
humorous, for there is a humour of the morning and a humour of the
evening; but the first guesses at what it will get, at all the
grotesqueness and variety which a day may bring forth; the second looks
back on what the day has been and sees even its solemnities as slightly
ironical. Nothing can be too extravagant for the laughter that looks
forward; and nothing can be too dignified for the laughter that looks
back. It is an idle but obvious thing, which many must have noticed,
that we often find in the title of one of an author's books what might
very well stand for a general description of all of them. Thus all
Spenser's works might be called _A Hymn to Heavenly Beauty_; or all Mr.
Bernard Shaw's bound books might be called _You Never Can Tell_. In the
same way the whole substance and spirit of Thackeray might be gathered
under the general title _Vanity Fair_. In the same way too the whole
substance and spirit of Dickens might be gathered under the general
title _Great Expectations_.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account