Appreciations and Criticisms of the Works of Charles DickensChesterton, G. K. (Gilbert Keith)
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Appreciations and Criticisms of the Works of Charles Dickens
Chesterton, G. K. (Gilbert Keith)
Dickens, Charles, 1812-1870 -- Criticism and interpretation
There are many marks of something weak and shadowy in the end of _David
Copperfield_. Here, for instance, is one of them which is not without
its bearing on many tendencies of modern England. Why did Dickens at the
end of this book give way to that typically English optimism about
emigration? He seems to think that he can cure the souls of a whole
cartload, or rather boatload, of his characters by sending them all
to the Colonies. Peggotty is a desolate and insulted parent whose house
has been desecrated and his pride laid low; therefore let him go to
Australia. Emily is a woman whose heart is broken and whose honour is
blasted; but she will be quite happy if she goes to Australia. Mr.
Micawber is a man whose soul cannot be made to understand the tyranny of
time or the limits of human hope; but he will understand all these
things if he goes to Australia. For it must be noted that Dickens does
not use this emigration merely as a mode of exit. He does not send these
characters away on a ship merely as a symbol suggesting that they pass
wholly out of his hearer's life. He does definitely suggest that
Australia is a sort of island Valley of Avalon, where the soul may heal
it of its grievous wound. It is seriously suggested that Peggotty finds
peace in Australia. It is really indicated that Emily regains her
dignity in Australia. It is positively explained of Mr. Micawber not
that he was happy in Australia (for he would be that anywhere), but that
he was definitely prosperous and practically successful in Australia;
and that he would certainly be nowhere. Colonising is not talked of
merely as a coarse, economic expedient for going to a new market. It is
really offered as something that will cure the hopeless tragedy of
Peggotty; as something that will cure the still more hopeless comedy of
Micawber.
I will not dwell here on the subsequent adventures of this very
sentimental and extremely English illusion. It would be an exaggeration
to say that Dickens in this matter is something of a forerunner of much
modern imperialism. His political views were such that he would have
regarded modern imperialism with horror and contempt. Nevertheless there
is here something of that hazy sentimentalism which makes some
Imperialists prefer to talk of the fringe of the empire of which they
know nothing, rather than of the heart of the empire which they know is
diseased. It is said that in the twilight and decline of Rome, close to
the dark ages, the people in Gaul believed that Britain was a land of
ghosts (perhaps it was foggy), and that the dead were ferried across to
it from the northern coast of France. If (as is not entirely impossible)
our own century appears to future ages as a time of temporary decay and
twilight, it may be said that there was attached to England a blessed
island called Australia to which the souls of the socially dead were
ferried across to remain in bliss for ever.
Public-domain text, read in full here on John Shaqi.
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