Appreciations, with an Essay on StylePater, Walter
Philosophy
Appreciations, with an Essay on Style
Pater, Walter
English literature -- History and criticism; Style, Literary
She interrupted me: "Ah!" she said, with entire simplicity, "I
understand you. I have not read all you see here. But I have read
enough of it to know that my friends in that past age had, like those
who live now, their passions, their weaknesses, their mistakes. But,
as my father used to say to me, all that did but pass over a ground of
what was solid and serious, which always discovered itself again anew.
There were great faults then; but there were also great repentances.
There was a certain higher region to which everything conducted--even
what as evil." She blushed deeply: then rising a little suddenly, "A
long speech!" she said: "Forgive me! I am not usually so very
talkative. It is because my father was in question; and I should wish
his memory to be as dear and as venerable to all the rest of the world
as it is to me."
We pass over the many little dramatic intrigues and misunderstandings,
with the more or less adroit interferences of the uncle, which raise
and lower alternately Bernard's hopes. M. Feuillet has more than once
tried his hand with striking success in the portraiture of French
ecclesiastics. He has drawn none better than the Bishop of Saint-Meen,
uncle of Mademoiselle de Courteheuse, to whose interests he is devoted.
Bernard feels that to gain the influence of this prelate [227] would be
to gain his cause; and the opportunity for an interview comes.
Monseigneur de Courteheuse would seem to be little over fifty years of
age: he is rather tall, and very thin: the eyes, black and full of
life, are encircled by a ring of deep brown. His speech and gesture
are animated, and, at times, as if carried away. He adopts frequently
a sort of furious manner which on a sudden melts into the smile of an
honest man. He has beautiful silvery hair, flying in vagrant locks
over his forehead, and beautiful bishop's hands. As he becomes calm he
has an imposing way of gently resettling himself in his sacerdotal
dignity. To sum up: his is a physiognomy full of passion, consumed
with zeal, yet still frank and sincere.
I was hardly seated, when with a motion of the hand he invited me to
speak.
Public-domain text, read in full here on John Shaqi.
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