"Then I'll be sorry with you," says the child, with all childhood's divine intuition that to sorrow alone is to know a double sorrow. She hugs Joyce more closely with her tender arms, and Joyce, after a battle with her braver self, gives way, and breaks into bitter tears. "There now! you've made her cry right out! You're a naughty girl," says Tommy, to his sister in a raging tone, meant to hide the fact that he too, himself is on the point of giving way; in fact, another moment sees him dissolved in tears. "Never mind, Joycie. Never mind. We love you!" sobs he, getting up on the back of the seat behind her, and making a very excellent attempt at strangulation. "Do you? There doesn't seem to be any one else, then, but you!" says poor Joyce, dropping Mabel into her lap, and Tommy more to the front, and clasping them both to her with a little convulsive movement. Perhaps the good cry she has on top of those two loving little heads does her more good than anything else could possibly have done. CHAPTER XXXI. "A bitter and perplexed 'What shall I do?' Is worse to man than worse necessity." Three months have come and gone, and winter is upon us. It is close on Christmastide indeed. All the trees lie bare and desolate, the leaves have fallen from them, and their sweet denizens, the birds, flown or dead. Evening has fallen. The children are in the nursery, having a last romp before bed hour. Their usual happy hunting ground for that final fling is the drawing-room, but finding the atmosphere there, to-night, distinctly cloudy, they had beaten a simultaneous retreat to Bridget and the battered old toys upstairs. Children, like rats, dislike discomfort. Mrs. Monkton, sitting before the fire, that keeps up a continuous sound as musical as the rippling of a small stream, is leaning back in her chair, her pretty forehead puckered into a thousand doubts. Joyce, near her, is as silent as she is; while Mr. Monkton, after a vain pretence at being absorbed in the morning paper (diligently digested at 11 this morning), flings it impatiently on the floor. "What's the good of your looking like that, Barbara? If you were compelled to accept this invitation from my mother, I could see some reason for your dismal glances, but when you know I am as far from wishing you to accept it as you are yourself, why should----?" "Ah! but are you?" says his wife with a swift, dissatisfied glance at him. The dissatisfaction is a good deal directed toward herself. "If you could make her sure of that," says Joyce, softly. "I have tried to explain it to her, but----" "I suppose I am unreasonable," says Barbara, rising, with a little laugh that has a good deal of grief in it. "I suppose I ought to believe," turning to her husband, "that you are dying for me to refuse this invitation from the people who have covered me with insult for eight years, when I know well that you are dying for me to accept it."