"No, of course not. You are right." Miss Kavanagh moves towards the
door. "After all, Barbara," looking back at her, "that applies to most
things in this sad old world. What matter under heaven can we poor
mortals dare to trifle with? Not one, I think. All bear within them the
seeds of grief or joy. Sacred seeds, both carrying in their bosoms the
germs of eternity. Even when this life is gone from us we still face
weal or woe."
"Still--we need not make our own woe," says Barbara, who is a sturdy
enemy to all pessimistic thoughts. "Wait a moment, Joyce." She hurries
after her and lays her hand on the girl's shoulder. "Will you come with
me next Wednesday to see Lady Monkton?"
"Lady Monkton! Why I thought----"
"Yes, I know. I would not take you there before, because she had not
expressly asked to see you. But to-day she made a--she sent you a formal
message--at all events she said she hoped I would bring you when I came
again."
"Is that all of it?" asks Joyce, gazing at her sister with a curious
smile, that is troubled, but has still some growing sense of amusement
in it. "What an involved statement! Surely you have forgotten something.
That Mr. Dysart was standing near you, for example, and will probably
find that it is absolutely imperative that he should call on Lady
Monkton next Wednesday, too. Don't set your heart on that, Barbara. I
think, after my interview with him to-day, he will not want to see Lady
Monkton next Wednesday."
"I know nothing about whether he is to be there or not," says Barbara
steadily. "But as Sir George likes to see the children very often, I
thought of taking them there on that day. It is Lady Monkton's day. And
Dicky Browne, at all events, will be there, and I dare say a good many
of your old friends. Do say you will come."
"I hate old friends!" says the girl fractiously. "I don't believe I have
any. I don't believe anybody has. I----"
She pauses as the door is thrown open, and Tommy comes prancing into the
room accompanied by his father.
CHAPTER XXXVI.
"Children know very little; but their capacity of comprehension is
great."
"I've just been interviewing Tommy on the subject of the pictures," says
Mr. Monkton. "So far as I can make out he disapproves of Dore."
"Oh! Tommy! and all such beautiful pictures out of the Bible," says his
mother.
"I did like them," says Tommy. "Only some of them were queer. I wanted
to know about them, but nobody would tell me--and----"
"Why, Tommy, I explained them all to you," says Joyce, reproachfully.
"You did in the first two little rooms and in the big room afterward,
where the velvet seats were. They," looking at his father and raising
his voice to an indignant note, "wouldn't let me run round on the top of
them!"
"Good heavens!" says Mr. Monkton. "Can that be true? Truly this country
is going to the dogs."
"Where do the dogs live?" asks Tommy, "What dogs? Why does the country
want to go to them?"
Public-domain text, read in full here on John Shaqi.
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