"Please leave my mother out of this discussion!" Here was something he
could say with great severity and dignity--something that would imply
the contrast between what Clare Crosby stood for and the high standards
of his mother, whose fame might not be tarnished even through the
mention of her name by a culpable woman.
Clare laughed. "Early Victorian," she commented, cheerfully; "that
do-not-sully-the-fair-name-of-mother business. It's in your blood,
Felix,--along with the determination you feel never to change when once
you've made up your mind, as if your mind were something that has set
itself solid, as metal does when it's run into a mold."
"Oh, indeed! Just like that!"
She nodded. "Precisely. And when you make up your mind that someone
is wrong, or has hurt your vanity (which is worse), you are just
middle-class enough to love to swing a whip."
He got up. "Pardon me if I don't care to listen to your opinion of me
any longer," he said. "It just happens that I've caught you at your
tricks today."
"It just happens that you _think_ you've caught me--you've dropped to
that conclusion. But--do you know anything?"
"Well--well,----"
"You shall. Please sit down again. And feel that you were
justified--that I am really a culprit of some kind--just as you are."
He sat, too astonished to retort--but too curious to take himself away.
"Because I really want to tell you quite a little about myself." There
was a glint of real humor in her eyes. "And first of all, I want to
tell the real truth, and it'll make you feel a lot better--it'll soothe
your vanity."
"You seem to have a rather sudden change in your opinion of me." He
tried to be sarcastic. And he leaned back, folding his arms.
"Oh, no. I've always known that you were vain, and hard. But I didn't
expect perfection."
"Ah."
"But, first, let me tell you--when I left Tottie's just now, I thought
of the river. Suicide--that's what first came to my mind."
"I'm very glad you changed it,"--this with almost a parental note. Her
mention of the river had soothed his vanity!
"Oh, are you?" She laughed merrily.
"And what brought about the--the----"
"Sue Milo."
"Er--who do you say?" He had expected a compliment.
"A woman you don't know--a woman that you must have seen go into
Tottie's just after Barbara left--as you stood sentry."
"Ah, yes." He had the grace to blush again.
"She is the secretary at the Church near by--you know, St. Giles. She
keeps books, and answers telephones, and types sermons, and does all
the letters for the Rector--formerly my husband."
An involuntary start--which he adroitly made the beginning of an assent.
"I've met her only a few times. But I feel as if I'd known her all my
life. Oh, how dear _her_ attitude was!" Sudden tears trembled in her
eyes.
"Different from mine, eh?"
"Absolutely! It was the contrast between you and her that made me see
things as they are--twenty blocks, I walked--and such a change!"
"Fancy!"
Public-domain text, read in full here on John Shaqi.
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