"The master of the house, after asking his guests and being told by them that they knew me not, came to me, and, kissing my hand, said, 'By Allah, my master, who art thou?' I answered, 'By Allah, I am the singer Mukháriḳ.'--'And for what purpose,' said he, kissing both my hands, 'camest thou hither?' I replied, 'As a spunger;'--and related what had happened with respect to the maiden: whereupon he looked towards his two companions and said to them, 'Tell me, by Allah, do ye not know that I gave for that girl thirty thousand dirhems, and have refused to sell her?' They answered, 'It is so.' Then said he, 'I take you as witnesses that I have given her to him.'--'And we,' said the two friends, 'will pay thee two-thirds of her price.' So he put me in possession of the girl, and in the evening when I departed, he presented me also with rich dresses and other gifts, with all of which I went away; and as I passed the places where the maiden had abused me, I said to her, 'Repeat thy words to me;' but she could not for shame. Holding the girl's hand, I went with her immediately to the Khaleefeh, whom I found in anger at my long absence; but when I related my story to him he was surprised, and laughed, and ordered that the master of the house and his two friends should be brought before him, that he might requite them; to the former he gave forty thousand dirhems; to each of his two friends, thirty thousand; and to me a hundred thousand; and I kissed his feet and departed."[209] It is particularly necessary for the Arab musician that he have a retentive memory, well stocked with choice pieces of poetry and with facetious or pleasant anecdotes, interspersed with songs; and that he have a ready wit, aided by dramatic talent, to employ these materials with good effect. If to such qualifications he adds fair attainments in the difficult rules of grammar, a degree of eloquence, comic humour, and good temper, and is not surpassed by many in his art, he is sure to be a general favourite. Very few Muslims of the higher classes have condescended to study music, because they would have been despised by their inferiors for doing so; or because they themselves have despised or condemned the art. Ibraheem, the son of the Khaleefeh El-Mahdee, and competitor of El-Ma-moon, was a remarkable exception: he is said to have been an excellent musician and a good singer.