Arabian Society in the Middle Ages: Studies From The Thousand and One NightsLane, Edward William
Islamic
Arabian Society in the Middle Ages: Studies From The Thousand and One Nights
Lane, Edward William
Arabian nights; Egypt -- Social life and customs; Islamic Empire -- Social life and customs; Social history -- Medieval, 500-1500
The bride is conducted to the house of the bridegroom (on the following
day) in the same manner as to the bath, or with more pomp. In Cairo, the
bridal processions of persons of very high rank are conducted with
singular display. The train is usually headed by buffoons and musicians,
and a water-carrier loaded with a goat's-skin filled with sand and
water, of very great weight, which is often borne for many hours before
(as well as during) the procession, merely to amuse the spectators by
this feat of strength. Then follow (interrupted by groups of male or
female dancers, jugglers, and the like) numerous decorated open waggons
or cars, each of which contains several members of some particular trade
or art engaged in their ordinary occupations, or one such person with
attendants: in one, for instance, a kahwejee, with his assistants and
pots and cups and fire, making coffee for the spectators: in a second,
makers of sweetmeats: in a third, makers of pancakes (faṭeerehs): in
a fourth, silk-lace manufacturers: in a fifth, a silk-weaver, with his
loom: in a sixth, tinners of copper vessels, at their work: in a
seventh, white-washers, whitening over and over again a wall: in short,
almost every manufacture and trade has its representatives in a separate
waggon. El-Jabartee describes a procession of this kind in which there
were upwards of seventy parties of different trades and arts, each party
in a separate waggon, besides buffoons, wrestlers, dancers, and others;
followed by various officers, the eunuchs of the bride's family, ladies
of the ḥareem with their attendants, then the bride in a European
carriage, a troop of memlooks clad in armour, and a Turkish band of
music. It was a procession of which the like had not before been
seen.[271]
The bride and her party, having arrived at the house, sit down to a
repast. The bridegroom does not yet see her. He has already been to the
bath, and at nightfall he goes in procession with a number of his
friends to a mosque, to perform the night-prayers. He is accompanied by
musicians and singers, or by chanters of lyric odes in praise of the
Prophet, and by men bearing cressets--poles with cylindrical frames of
iron at the top filled with flaming wood; and on his return, most of his
other attendants bear lighted wax candles and bunches of flowers.
Public-domain text, read in full here on John Shaqi.
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