It sometimes happens, though rarely, that free girls are sold as slaves.[287] A remarkable instance is related in the Mir-át ez-Zemán.[288]--Fátimeh, surnamed Ghareeb, a slave of the Khaleefeh El-Moạtaṣim, the son of Hároon, was a poetess, accomplished in singing and calligraphy, and extremely beautiful. Her mother was an orphan; and Jaạfar, the famous Wezeer of Hároon Er-Rasheed, took her as his wife; but his father, Yaḥyà, reproached him for marrying a woman whose father and mother were unknown, and he therefore removed her from his own residence to a neighbouring house, where he frequently visited her; and she bore him a daughter, the above-mentioned Ghareeb, and died. Jaạfar committed her infant to the care of a Christian woman to nurse; and, on the overthrow of his family, this woman sold her young charge as a slave. El-Emeen, the successor of Er-Rasheed, bought her of a man named Sumbul, but never paid her price; and when he was killed, she returned to her former master; but on the arrival of El-Ma-moon at Baghdád, she was described to him, and he compelled Sumbul to sell her to him. This Sumbul loved her so passionately that he died of grief at her loss. On the death of El-Ma-moon, his successor, El-Moạtaṣim, bought her for a hundred thousand dirhems, and emancipated her. The historian adds that she composed several well-known airs and verses. FOOTNOTES: [284] Nuzhet el-Mutaämmil, section 9. [285] Mishkát el-Maṣábeeḥ, ii. 140, 141 [286] Nuzhet el-Mutaämmil, 1.1. [287] See Modern Egyptians, ch. vi. [288] Events of the year 227. CHAPTER XI. CEREMONIES OF DEATH. The ceremonies attendant upon death and burial are nearly the same in the cases of men and women. The face or the head of the dying person is turned towards the direction of Mekkeh. When the spirit is departing, the eyes are closed; and then, or immediately after, the women of the house commence a loud lamentation, in which many of the females of the neighbourhood generally come to join. Hired female mourners are also usually employed, each of whom accompanies her exclamations of "Alas for him!" etc. by beating a tambourine. If possible, the corpse is buried on the day of the death;[289] but when this cannot be done, the lamentation of the women is continued during the ensuing night; and a recitation of several chapters, or of the whole, of the Ḳur-án is performed by one or more men hired for the purpose.