The three most celebrated calligraphers of this century were Hamdallah, who died A.D. 1518; Mir Ali, who died A.D. 1544; and Muhammad Hussain Tabrizi, who died A.D. 1574. Their names are just as celebrated for Thuluth and Talik writing as were formerly those of Ibn Bawwab, of Ibn Hilal, and of Yakut are for Naskhi. In Egypt and Syria the characters used were always more beautiful than those of Andalusia, which survived in the Mugrib (North of Africa). Here, perhaps, it may be stated that the art of Arabic writing came into existence but a very short time before Muhammad. 'It was Abu Ali bin Mukla who first took the present system of written characters from the style of writing employed by the people of Kufa, and brought it out under its actual form. He had, therefore, the merit of priority, and it may be added that his handwriting was very elegant. But to Ibn Al Bawwab pertains the honour of rendering the character more regular and simple, and of clothing it in grace and beauty.' In other words, Ibn Mukla was the first who changed the Kufic into the new Naskhi character, which Ibn Bawwab improved after him by imparting rotundity and clearness to the new letters, and which Ibn Yakut Al-Mausili brought afterwards to the greatest perfection in A.D. 1200. Ibn Mukla, who was born in A.D. 885, and died A.D. 941, was vizier to the Khalifs Al-Kahir-billah and Al-Radhi-billah; but, falling into disfavour through the intrigues of his enemies, he first had his hand cut off in A.D. 937, and eventually his tongue was torn out, and he was allowed to perish in the dungeon without any assistance being offered to him. Ibn-al-Bawwab, the Penman, is said to have possessed a skill in penmanship to which no other person ever attained in ancient or modern times. He died at Baghdad A.D. 1032, and the following verses were composed as his elegy: 'Thy loss was felt by the writers of former times, And each successive day justifies their grief. The ink-bottles are therefore black with sorrow, And the pens are rent through affliction.'