Egypt -- History -- 332-30 B.C. -- Fiction; German fiction -- Translations into English
“And they have grown marvellously, as if creative Nature had doubled her
powers in their behalf,” Hermon added eagerly. “But man has also wrought
amazing miracles here. Industrious hands reared an actual mountain. A
winding path leads to the top, and when you stand upon the summit and
look northward you at first feel like the sailor who steps on shore and
hears the people speak a language which is new to him. It seems like a
jumble of meaningless sounds until he learns, not only to understand
the words, but also to distinguish the sentences. Temples and palaces,
statues and columns appear everywhere in motley confusion. Each one,
if you separate it from the whole and give it a careful examination,
is worthy of inspection, nay, of admiration. Here are light, graceful
creations of Hellenic, yonder heavy, sombre ones of Egyptian art, and
in the background the exquisite azure of the eternal sea, which the
marvellous structure of the heptastadium unites to the land; while on
the island of Pharos the lighthouse of Sostratus towers aloft almost to
the sky, and with a flood of light points out the way to mariners who
approach the great harbour at night. Countless vessels are also at
anchor in the Eunostus. The riches of the whole earth flow into both
havens. And the life and movement there and in the inland harbour on
Lake Mareotis, where the Nile boats land! From early until late, what
a busy throng, what an abundance of wares--and how many of the most
valuable goods are made in our own city! for whatever useful, fine, and
costly articles industrial art produces are manufactured here. The roof
has not yet been put on many a factory in which busy workers are already
making beautiful things. Here the weaver’s shuttle flies, yonder gold
is spun around slender threads of sheep guts, elsewhere costly materials
are embroidered by women’s nimble fingers with the prepared gold thread.
There glass is blown, or weapons and iron utensils are forged. Finely
polished knives split the pith of the papyrus, and long rows of workmen
and workwomen gum the strips together. No hand, no head is permitted to
rest. In the Museum the brains of the great thinkers and investigators
are toiling. Here, too, reality asserts its rights. The time for
chimeras and wretched polemics is over. Now it is observing, fathoming,
turning to account, nothing more!”
Public-domain text, read in full here on John Shaqi.
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