Egypt -- History -- 332-30 B.C. -- Fiction; German fiction -- Translations into English
Glycera had asked him, at the beginning of the banquet, to tell her
about the attack in Tennis. Now he yielded to her wish that he should
repeat the captivating tale to the others, and the spirits of the wine
helped him to perform the task with such animation that his hearers
listened to his description in breathless suspense, and many eyes rested
on the handsome face of the great blind artist as if spellbound.
When he paused, loud applause rewarded him, and as it reached him from
every part of the spacious room, his deep, resonant voice put him in
communication even with the more distant guests, and he might have been
taken for the symposiarch or director of the banquet.
This conspicuous position of the feted artist did not please every
one, and a rhetorician, famed for his sharp tongue, whispered to his
neighbour, one of Hermon’s older fellow-artists, “What his eyes have
lost seems to benefit his tongue.” The sculptor answered: “At any rate,
the impetuous young artist might succeed better in proving himself,
by its assistance, a good entertainer, than in creating more mediocre
masterpieces like the Demeter.”
Similar remarks were made on other cushions; but when the philosopher
Hegesias asked the famous sculptor Euphranor what he thought of Hermon’s
Demeter, the kindly old man answered, “I should laud this noble work
as a memorable event, even if it did not mark the end, as well as the
beginning, of its highly gifted creator’s new career.”
Nothing of this kind was uttered near Hermon. Everything that reached
him expressed delight, admiration, sympathy, and hope. At dessert the
beautiful Glycera divided her apple, whispering as she gave him one
half, “Let the fruit tell you what the eyes can no longer reveal, you
poor and yet so abundantly rich darling of the gods.”
He murmured in reply that his happiness would awake the envy of the
immortals if, in addition, he were permitted to feast upon the sight of
her beauty.
Had he been able to see himself, Hermon, who, as a genuine Greek, was
accustomed to moderate his feelings in intercourse with others, would
have endeavoured to express the emotions of joy which filled his heart
with more reserve, and to excel his companions at the festival less
recklessly.
His enthusiastic delight carried many away with him; others, especially
Daphne, were filled with anxious forebodings by his conduct, and others
still with grave displeasure.
Among the latter was the famous leech Erasistratus, who shared Archias’s
cushions, and had been solicited by the latter to try to restore his
blind nephew’s sight. But the kindly physician, who gladly aided even
the poorest sufferer, curtly and positively refused. To devote his time
and skill to a blind man who, under the severest of visitations, lulled
himself so contentedly in happiness, he considered unjust to others who
desired recovery more ardently.
Public-domain text, read in full here on John Shaqi.
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