Egypt -- History -- 332-30 B.C. -- Fiction; German fiction -- Translations into English
The wealthy blind artist, so highly esteemed among the members of his
profession, might become valuable to the conspiracy, for she knew what
enthusiastic devotion the Alexandrian artists felt for the King, and
everything depended upon forming a party in her own favour among them.
This task was to fall to Hermon, and also another, still more important
one; for he, his nephew and future son-in-law, if any one, could
persuade the wealthy Archias to lend the plot his valuable aid. Hitherto
the merchant had been induced, it is true, to advance large sums of
money to the Queen, but the loyal devotion which he showed to her
royal husband had rendered it impossible to give him even a hint of the
conspiracy. Althea, however, declared that the blind man’s marriage to
Daphne was only a question of time, and Proclus added that the easily
excited nephew would show himself more pliant than the uncle if Arsinoe
exerted upon him the irresistible charm of her personality.
When Hermon entered the residence of the grammateus in the palace, the
guests had already assembled. The Queen was not to appear until after
the feast, when the mixing jars were filled. The place by Hermon’s side,
which Althea had chosen for herself, would then be given up to Arsinoe.
The sovereign was as unaccustomed to the society of a blind artist
as Hermon was to that of a queen, and both eagerly anticipated the
approaching meeting.
Yet it was difficult for Hermon to turn a bright face toward his
companion. The sources of anxiety and grief which had previously
burdened his mind would not vanish, even under the roof of the royal
palace.
Althea’s presence reminded him of Tennis, Ledscha, and Nemesis, who for
so long a time seemed to have suspended her persecution, but since he
had returned from the abode of the oracle was again asserting the old
right to him. During many a sleepless hour of the night he had once more
heard the rolling of her terrible wheel.
Even before the journey to the oasis of Amon, everything life could
offer him, the idle rake, in his perpetual darkness, had seemed shallow
and scarcely worth stretching out his hand for it.
True, an interesting conversation still had power to charm him, but
often during its continuance the full consciousness of his misfortune
forced itself upon his mind; for the majority of the subjects discussed
by the artists came to them through the medium of sight, and referred
to new creations of architecture, sculpture, and painting, from whose
enjoyment his blindness debarred him.
When returning home from a banquet, if his way lay through the city,
he was reminded of the superb buildings, marble terraces and fountains,
statues and porticoes, which had formerly satiated his eyes with
delight, and must now be illumined with a brilliant radiance by the
morning sunbeams, though a hostile fate shut them out from his eyes,
starving and thirsting for beautiful forms.
Public-domain text, read in full here on John Shaqi.
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