Egypt -- History -- 332-30 B.C. -- Fiction; German fiction -- Translations into English
When he again descended to the arena new plaudits rose; but soon hisses
and other signs of disapproval blended with them, which increased in
strength and number when a well known critic, who had written a learned
treatise concerning the relation of the Demeter to Hermon’s earlier
works, expressed his annoyance in a loud whistle. The dissatisfied and
disappointed spectators now vied with one another to silence those who
were cheering by a hideous uproar while the latter expressed more
and more loud the sincere esteem with which they were inspired by the
confession of the artist who, though cruelly prevented from winning
fresh fame, cast aside the wreath which a dead man had, as were,
proffered from his tomb.
Probably every man thought that, in the same situation, he would have
done the same yet not only justice--nay, compassion--dictated showing
the blind artist that they believed in and would sustain him. The
ill-disposed insisted that Hermon had only done what duty commanded
the meanest man, and the fact that he had deceived all Alexandria still
remained. Not a few joined this party, for larger possession excite envy
perhaps even more frequently than greater fame.
Soon the approving and opposing voices mingled in an actual conflict.
But before the famous sculptor Chares, the great and venerable artist
Nicias, and several younger friends of Hermon quelled this unpleasant
disturbance of the beautiful festival, the blind man, leaning on the arm
of his fellow-artist Soteles, had left the palaestra.
At the exit he, parted from his friend, who had been made happy by the
ability to absolve his more distinguished leader from the reproach of
having become faithless to their common purpose, and who intended to
intercede further in his behalf in the palaestra.
Hermon no longer needed him; for, besides his slave Patran, he found
the steward Gras, who, by his master’s order, guided the blind man to
Archias’s closed harmamaxa, which was waiting outside the building.
CHAPTER IX.
The sculptor’s head was burning feverishly when he entered the vehicle.
He had never imagined that the consequences of his explanation would
be so terrible. During the drive--by no means a long one--to the great
harbour, he strove to collect his thoughts. Groaning aloud, he covered
his ears with his hands to shut out the shouts and hisses from the
palaestra, which in reality were no longer audible.
True, he would not need to expose himself to this uproar a second time,
yet if he remained in Alexandria the witticisms, mockery, and jibes of
the whole city, though in a gentler form, would echo hundreds of times
around him.
He must leave the city. He would have preferred to go on board the
staunch Tacheia and be borne far away with his uncle and Daphne, but he
was obliged to deny himself the fulfilment of this desire. He must now
think solely of regaining his sight.
Public-domain text, read in full here on John Shaqi.
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