Egypt -- History -- 332-30 B.C. -- Fiction; German fiction -- Translations into English
Daphne clapped her hands joyfully, exclaiming so loudly that Chrysilla’s
head sprang up with a jerk. “It could not help being so! O Hermon!
how anxious I have been! Now, I thought, when this horrible woman
represented the transformation into the spider with such repulsive
accuracy, Hermon will believe that this is the true, and therefore the
right, ideal; nay, I was deceived myself while gazing. But, eternal
gods! as soon as I imagined this Arachne in marble or chryselephantine
work, what a painful feeling overpowered me!”
“Of course!” he replied in an irritated tone. “The thirst for beauty, to
which you all succumb, would not have much satisfaction to expect from
this work.”
“No, no, no!” Daphne interrupted in a louder tone than usual, and with
the earnest desire to convince him. “Precisely because I transported
myself into your tendency, your aspirations, I recognised the danger. O
Hermon! what produced so sinister an effect by the wavering light of
the lamps and torches, while the thunderstorm was rising--the strands of
hair, the outspread fingers, the bewildered, staring blue eyes--do
you not feel yourself how artificial, how unnatural it all was? This
transformation was only a clever trick of acting, nothing more. Before
a quiet spectator, in the pure, truthful light of Apollo, the foe of
all deception, what would this Arachne probably become? Even now--I have
already said so--when I imagine her executed in marble or in gold
and ivory! Beauty? Who would expect to find in the active, constantly
toiling weaver, the mortal daughter of an industrious dyer in purple,
the calm, refreshing charm of divine women? I at least am neither
foolish nor unjust enough to do so. The degree of beauty Althea
possesses would entirely satisfy me for the Arachne. But when I imagine
a plastic work faithful to the model of yesterday evening--though I
have seen a great deal with my own eyes, and am always ready to defer to
riper judgment--I would think, while looking at it: This statue came to
the artist from the stage, but never from Nature. Such would be my view,
and I am not one of the initiated. But the adepts! The King, with his
thorough connoisseurship and fine taste, my father, and the other famous
judges, how much more keenly they would perceive and define it!”
Here she hesitated, for the blood had left Hermon’s cheeks, and she saw
with surprise the deep impression which the candid expression of
her opinion had produced upon the artist, usually so independent and
disposed to contradiction. Her judgment had undoubtedly disturbed, nay,
perhaps convinced him; but at the same time his features revealed such
deep depression that, far from rejoicing in so rare a success, she
patted his arm like an affectionate sister, saying: “You have not yet
found time to realize calmly what yesterday dazzled us all--and you,”
she added in a lower tone, “the most strongly.”
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account