Aratra Pentelici, Seven Lectures on the Elements of Sculpture: Given before the University of Oxford in Michaelmas Term, 1870Ruskin, John
Philosophy
Aratra Pentelici, Seven Lectures on the Elements of Sculpture: Given before the University of Oxford in Michaelmas Term, 1870
Ruskin, John
Sculpture
The works of Raphael, Michael Angelo, and Tintoret belong to this period
of compromise in the career of the greatest nation of the world; and are
the most splendid efforts yet made by human creatures to maintain the
dignity of states with beautiful colors, and defend the doctrines of
theology with anatomical designs.
Farther, and as an universal principle, we have to remember that the
Arts express not only the moral temper, but the scholarship, of their
age; and we have thus to study them under the influence, at the same
moment of, it may be, declining probity, and advancing science.
214. Now in this the Arts of Northern and Southern Europe stand exactly
opposed. The Northern temper never accepts the Catholic faith with force
such as it reached in Italy. Our sincerest thirteenth-century sculptor
is cold and formal compared with that of the Pisani; nor can any
Northern poet be set for an instant beside Dante, as an exponent of
Catholic faith: on the contrary, the Northern temper accepts the
scholarship of the Reformation with absolute sincerity, while the
Italians seek refuge from it in the partly scientific and completely
lascivious enthusiasms of literature and painting, renewed under
classical influence. We therefore, in the north, produce our Shakspeare
and Holbein; they their Petrarch and Raphael. And it is nearly
impossible for you to study Shakspeare or Holbein too much, or Petrarch
and Raphael too little.
I do not say this, observe, in opposition to the Catholic faith, or to
any other faith, but only to the attempts to support whatsoever the
faith may be, by ornament or eloquence, instead of action. Every man who
honestly accepts, and acts upon, the knowledge granted to him by the
circumstances of his time, has the faith which God intends him to
have;--assuredly a good one, whatever the terms or form of it--every man
who dishonestly refuses, or interestedly disobeys the knowledge open to
him, holds a faith which God does not mean him to hold, and therefore a
bad one, however beautiful or traditionally respectable.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account