[46] I beg that this statement may be observed with attention. It is of great importance, as in opposition to the views usually held respecting the grave schools of painting. [47] The upper photograph in S. 50 is, however, not taken from the great Paradise, which is in too dark a position to be photographed, but from a study of it existing in a private gallery, and every way inferior. I have vainly tried to photograph portions of the picture itself. [48] He had, indeed, other and more solemn thoughts of the Night than Correggio; and these he tried to express by distorting form, and making her partly Medusa-like. In this lecture, as above stated, I am only dwelling on points hitherto unnoticed of dangerous evil in the too much admired master. [49] Tintoret dissected, and used clay models, in the true academical manner, and produced academical results thereby; but all his fine work is done from life, like that of the Greeks.