120. The third coin will, I think, at once strike you by what we moderns should call its 'vigor of character.' You may observe also that the features are finished with great care and subtlety, but at the cost of simplicity and breadth. But the _essential_ difference between it and the central art, is its disorder in design--you see the locks of hair cannot be counted any longer--they are entirely disheveled and irregular. Now the individual character may, or may not, be a sign of decline; but the licentiousness, the casting loose of the masses in the design, is an infallible one. The effort at portraiture is good for art if the men to be portrayed are good men, not otherwise. In the instance before you, the head is that of Mithridates VI. of Pontus, who had, indeed, the good qualities of being a linguist and a patron of the arts; but, as you will remember, murdered, according to report, his mother, certainly his brother, certainly his wives and sisters, I have not counted how many of his children, and from a hundred to a hundred and fifty thousand persons besides; these last in a single day's massacre. The effort to represent this kind of person is not by any means a method of study from life ultimately beneficial to art. 121. This, however, is not the point I have to urge to-day. What I want you to observe is, that though the master of the great time does not attempt portraiture, he _does_ attempt animation. And as far as his means will admit, he succeeds in making the face--you might almost think--vulgarly animated; as like a real face, literally, 'as it can stare.' Yes: and its sculptor meant it to be so; and that was what Phidias meant his Jupiter to be, if he could manage it. Not, indeed, to be taken for Zeus himself; and yet, to be as like a living Zeus as art could make it. Perhaps you think he tried to make it look living only for the sake of the mob, and would not have tried to do so for connoisseurs. Pardon me; for real connoisseurs he would, and did; and herein consists a truth which belongs to all the arts, and which I will at once drive home in your minds, as firmly as I can.