Aratra Pentelici, Seven Lectures on the Elements of Sculpture: Given before the University of Oxford in Michaelmas Term, 1870Ruskin, John
Philosophy
Aratra Pentelici, Seven Lectures on the Elements of Sculpture: Given before the University of Oxford in Michaelmas Term, 1870
Ruskin, John
Sculpture
144. "That the object of the work has been rational"! Consider how much
that implies. That it should be by all means seen to have been
determined upon, and carried through, with sense and discretion; these
being gifts of intellect far more precious than any knowledge of
mathematics, or of the mechanical resources of art. Therefore, also,
that it should be a modest and temperate work, a structure fitted to the
actual state of men; proportioned to their actual size, as animals,--to
their average strength,--to their true necessities,--and to the degree
of easy command they have over the forces and substances of nature.
145. You see how much this law excludes! All that is fondly magnificent,
insolently ambitious, or vainly difficult. There is, indeed, such a
thing as Magnanimity in design, but never unless it be joined also with
modesty, and _Equ_animity. Nothing extravagant, monstrous, strained, or
singular, can be structurally beautiful. No towers of Babel envious of
the skies; no pyramids in mimicry of the mountains of the earth; no
streets that are a weariness to traverse, nor temples that make pigmies
of the worshipers.
It is one of the primal merits and decencies of Greek work, that it was,
on the whole, singularly small in scale, and wholly within reach of
sight, to its finest details. And, indeed, the best buildings that I
know are thus modest; and some of the best are minute jewel cases for
sweet sculpture. The Parthenon would hardly attract notice, if it were
set by the Charing Cross Railway Station: the Church of the Miracoli, at
Venice, the Chapel of the Rose, at Lucca, and the Chapel of the Thorn,
at Pisa, would not, I suppose, all three together, fill the tenth part,
cube, of a transept of the Crystal Palace. And they are better so.
146. In the chapter on Power in the 'Seven Lamps of Architecture,' I
have stated what seems, at first, the reverse of what I am saying now;
namely, that it is better to have one grand building than any number of
mean ones. And that is true: but you cannot command grandeur by size
till you can command grace in minuteness; and least of all, remember,
will you so command it to-day, when magnitude has become the chief
exponent of folly and misery, coordinate in the fraternal enormities of
the Factory and Poorhouse,--the Barracks and Hospital. And the final law
in this matter is that, if you require edifices only for the grace and
health of mankind, and build them without pretense and without
chicanery, they will be sublime on a modest scale, and lovely with
little decoration.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account