Archaic England : $b an essay in deciphering prehistory from megalithic monuments, earthworks, customs, coins, place-names, and faerie superstitionsBayley, Harold
History
Archaic England : $b an essay in deciphering prehistory from megalithic monuments, earthworks, customs, coins, place-names, and faerie superstitions
Bayley, Harold
Archaeology; England -- Antiquities
It has already been suggested that _derry_ or _dru_, an oak or tree, was
equivalent to _tre_, an abode or Troy, and there is perhaps a connection
between this root and _tere_binth, the Tyrian term for an oak tree. That
the oak was regarded as the symbol of hospitality is exceedingly
probable, and one of the earliest references to the tree is the story of
Abraham's hospitable entertainment given underneath the Oak of Mamre.
The same idea is recurrent in the legend of Philemon and Baucis, which
relates that on the mountains of Phrygia there once dwelt an aged, poor,
but loving couple. One night Jupiter and Mercury, garbed in the disguise
of two mysterious strangers who had sought in vain for hospitality
elsewhere, craved the shelter of this Darby and Joan.[252] With alacrity
it was granted, and such was the awe inspired by the majestic Elder
that Baucis desired to sacrifice a goose which they possessed. But the
bird escaped, and fluttering to the feet of the disguised gods Jupiter
protected it, and bade their aged hosts to spare it. On leaving, the
Wanderer asked what boon he could confer, and what gift worthy of the
gods they would demand. "Let us not be divided by death, O Jupiter," was
the reply: whereupon the Wandering One conjured their mean cottage into
a noble palace wherein they dwelt happily for many years. The story
concludes that Baucis merged gradually into a linden tree, and Philemon
into an oak, which two trees henceforward intertwined their branches at
the door of Jupiter's Temple.
The name Philemon is seemingly _philo_, which means _love of_, and
_mon_, man or men, and at the time this fairy-tale was concocted _Love
of Man_, or hospitality, would appear to have been the motif of the
allegorist.
We British pre-eminently boast our ships and our men as being Hearts of
Oak: the Druids used to summon their assemblies by the sending of an
oak-branch, and at the national games of Etruria the diadem called
_Etrusca Corona_, a garland of oak leaves with jewelled acorns, was held
over the head of the victor.[253] There is little doubt that Honor Oak,
Gospel Oak, Sevenoaks, etc., derived their titles from oaks once sacred
to the _Uch_ or High, the _Allon_ or Alone, who was alternatively the
Seven Kings or the Three Kings. "It is strange," says Squire, "to find
Gael and Briton combining to voice almost in the same words this
doctrine of the mystical Celts, who while still in a state of
semi-barbarism saw with some of the greatest of ancient and modern
philosophers the One in the Many, and a single Essence in all the
manifold forms of life."[254]
FOOTNOTES:
[193] Virgil, _The Æneid_, Bk. III., c. liii.
[194] _Cf._ Geoffrey's _Histories of the Kings of Britain_
(Everyman's Library), p. 202.
[195] Virgil, _The Æneid_, Bk. III., 37.
[196] _Irish Mythological Cycle_, p. 50.
[197] xx. 8.
[198] Wood, E. J. _Giants and Dwarfs_, p. 54.
[199] Chap. xxvi.
[200] _The Irish Mythological Cycle_, p. 116.
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