Archaic England : $b an essay in deciphering prehistory from megalithic monuments, earthworks, customs, coins, place-names, and faerie superstitionsBayley, Harold
History
Archaic England : $b an essay in deciphering prehistory from megalithic monuments, earthworks, customs, coins, place-names, and faerie superstitions
Bayley, Harold
Archaeology; England -- Antiquities
The British coins inscribed Ver are believed to have emanated from
Verulam or St. Albans, but the same VER, VIR, or kindred legend is found
upon the coins of Iberia and Gaul. It is not improbable that Verulam was
at one time the chief city in Albion, but the place which now claims to
be the mother city is Canterbury or Duro_vern_. The ancient name of
Canterbury is supposed to have been bestowed upon it by the Romans, and
to have denoted _evergreen_; but Canterbury is not physically more
evergreen than every other spot in verdant England: Canterbury is,
however, permeated with relics, memories, and traditions of St. George;
and St. George is still addressed in Palestine as the "evergreen green
one". Green was the symbol of rejuvenescence and immortality, and "the
Green Man" of our English Inn Signs, as also the Jack-in-Green who used
to figure along with Maid Marian and the Hobby Horse in the festivities
of May Day, was representative of the May King or the Lord of Life. The
colour green, according to the Ecclesiastical authorities, still
signifies "hope, plenty, mirth, youth, and prosperity": as the colour of
living vegetation, it was adopted as a symbol of life, and Angels and
Saints, _particularly St. John_, are represented clad in green. In Gaul
the Green Man was evidently conceived as Ver Galant, and the two cups,
one inverted, in all probability implied Life and Death. According to
Christian Legend, St. George was tortured by being forced to drink two
cups, whereof the one was prepared to make him mad, the other to kill
him by poison. The prosperity of an emblem lies entirely in the Eye, and
it is probable that all the alleged dolours to which George was
subjected are nothing more than the morbid misconceptions of men whose
minds dwelt normally on things most miserable and conceived little
higher. Thus seemingly the light-shod Mercury was degraded into George's
alleged torture of being "made to run in red hot shoes": the heavy
pillars laid upon him suggest that he was once depicted bearing up the
pillars of the world: the wheel covered with razors and knives to which
he was attached imply the solar wheel of Kate or Catarina: the posts to
which he was fastened by the feet and hands were seemingly a variant of
the _deddu_, and the sledge hammers with which he was beaten were, like
many other of the excruciating torments of the "saint," merely and
inoffensively the emblems of the Heavenly Hercules or Invictus.
[Illustration: FIG. 104.--From _The Everyday Book_ (Hone, W.).]
[Illustration: FIG. 105.--Ver Galant (Rue Henri, Lyons, 1759). From
_The History of Signboards_.]
[Illustration: FIG. 106.--Green Man and Still (Harleian Collection,
1630). _Ibid._]
Public-domain text, read in full here on John Shaqi.
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