Archaic England : $b an essay in deciphering prehistory from megalithic monuments, earthworks, customs, coins, place-names, and faerie superstitionsBayley, Harold
History
Archaic England : $b an essay in deciphering prehistory from megalithic monuments, earthworks, customs, coins, place-names, and faerie superstitions
Bayley, Harold
Archaeology; England -- Antiquities
British horses used to be known familiarly as Joan, and the term
_jennet_ presumably meant _Little Joan_: the Italian for a _hackney_ is
_chinea_. At Hackney, which now forms part of London, there is an Abney
Park which was once, it may be, associated with Hobany or Epona: the
main street of Hackney or Haconey (which originally contained the Manor
of Hoxton) is Mare Street; and this _mare_ was seemingly the Ken_mure_
whose traces are perpetuated in Kenmure Road, Hackney. At the corner of
Seven Sisters Road is the church of St. Olave, and the neighbouring
Alvington Street suggests that this Kingsland Road district was once a
town or down of Alvin the Elphin King. Godolphin Hill in Cornwall was
alternatively known as Godolcan, and there is every reason to suppose
that Elphin was the good old king, the good all-king, and the good holy
king.
Hackney was seemingly once one of the many congregating "Londons," and
we may recognise Elen or Ollan in London Fields, London Lane, Lyne
Grove, Olinda (or Good Olin) Road, Londesborough Road, Ellingfort (or
Strong Ellin) Road, Lenthall (or Tall Elen) Road. In Linscott Street
there stood probably at one time a Cot, Cromlech, or "Kit's Coty," and
at the neighbouring Dalston[301] was very possibly a Tallstone,
equivalent to the Cornish _tal carn_ or _high rock_.
The adjective _long_ or _lanky_ is probably of Hellenic origin, and the
giants or long men sometimes carved in hill-sides (as at Cerne Abbas)
were like all Longstones once perhaps representations of Helen.
[Illustration: FIG. 134.--"Metal ornaments found on horse trappings
(North Lincolnshire, 1907). Nos. 1-8 represent forms
of the crescent amulet; Nos. 8-11, the horseshoe. No.
12 is a well-known mystic symbol. No. 15 shows the
cross potencée, and No. 16 the cross patée: these seem
to denote Christian influence. Nos. 13 and 14 indicate
the decay of folk memory concerning amulets, though
_the heart pattern was originally talismanic_. Nos. 7
and 8 form bridle 'plumes,' No. 6 is a hook for a
bearing-rein; the remainder are either forehead
medallions or breeching decorations. The patterns 1-4,
9, 11, 13, 14, and 16, are fairly common in London."
From _Folk Memory_ (Johnson, W.). ]
[Illustration: FIG. 135.--Iberian. From Akerman.]
[Illustration: FIG. 136.--British. From Evans.]
Public-domain text, read in full here on John Shaqi.
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