Archaic England : $b an essay in deciphering prehistory from megalithic monuments, earthworks, customs, coins, place-names, and faerie superstitionsBayley, Harold
History
Archaic England : $b an essay in deciphering prehistory from megalithic monuments, earthworks, customs, coins, place-names, and faerie superstitions
Bayley, Harold
Archaeology; England -- Antiquities
There is a Bridewell and a church of St. Bride in London, but to the
modern Londoner this "greatest woman of the Celtic Church" is
practically unknown. In Hibernia and the Hebrides, however, St. Bride
yet lives, and in the words of a modern writer is "more real than the
great names of history. They, pale shadows moving in an unreal world,
have gone, but she abides. With each revolving year she flits across the
Machar, and her tiny flowers burn golden among the short, green, turfy
grass at her coming. Her herald, the Gillebrighde, the servant of Bride,
calls its own name and hers among the shores, a message that the sea,
the treasury of Mary, will soon yield its abundance to the fisher,
haven-bound by the cold and stormy waters of winter. He sees St. Bride,
the Foster Mother, but his keen vision penetrates a vista far beyond the
ages when Imperial Rome held sway and, in that immemorial past, beholds
her still. In the uncharted regions of the Celtic imagination, she
abides unchanging, her eyes starlit, her raiment woven of fire and dew;
her aureole the rainbow. To him she is older than the world of men, yet
eternally young. She is beauty and purity and love, and time for her has
no meaning. She is a ministering spirit, a flame of fire. It is she who
touches with her finger the brow of the poet and breathes into his heart
the inspiration of his song. She is born with the dawn, and passes into
new loveliness when the sun sets in the wave. The night winds sing her
lullaby, and little children hear the music of her voice and look into
her answering eyes. Who and what, then, is St. Bride? She is Bridget of
Kildare, but she is more. She is the daughter of Dagda, the goddess of
the Brigantes; but she is more. She is the maid of Bethlehem, the tender
Foster Mother; but she is more even than that. She is of the race of the
immortals. She is the spirit and the genius of the Celtic people."[513]
St. Bride was known occasionally as St. Fraid, and Brigit, or Brigid, an
alternative title of the Fair Ide, may be modernised into _Pure Good_.
With her white wand Brigit was said to breathe life into the mouth of
dead Winter, impelling him to open his eyes to the tears, the smiles,
the sighs, and the laughter of Spring, whence to Brid, or Bryth of the
Brythons, may be assigned the word _breathe_; and as Bride was
represented by a sheaf of grain carried joyously from door to door,
doubtless in her name we have the origin of _bread_.
The name Bradbury implies that many barrows were dedicated to Brad;
running into the river Rye of Kent is a river Brede, and as the young
goddess of Crete was known to the Hellenes as Britomart, which means
_sweet maiden_, we may equate Britomart with Britannia. At the village
of Brede in Kent the seat now known as Brede Place is also known as the
Giant's House, whence in all probability St. Bride was the maiden Giant,
Gennet, or Jeanette.
Public-domain text, read in full here on John Shaqi.
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