Archaic England : $b an essay in deciphering prehistory from megalithic monuments, earthworks, customs, coins, place-names, and faerie superstitionsBayley, Harold
History
Archaic England : $b an essay in deciphering prehistory from megalithic monuments, earthworks, customs, coins, place-names, and faerie superstitions
Bayley, Harold
Archaeology; England -- Antiquities
Not only were the Britons expert in ordinary metal-work but they are
believed to have _invented_ the art of enamelled-inlay. Writing in the
third century of the present era, an oft-quoted Greek observed: "They
say that the barbarians who live in Ocean pour colours on heated bronze
and that they adhere, become as hard as stone, and preserve the designs
that are made in them".
It is admitted that nowhere was greater success attained by this art of
the early Iron Age than in Britain, and as Sir Hercules Read rightly
maintains: "There are solid reasons for supposing this particular style
to have been confined to this country".[520] The art of enamelling was
of course practised elsewhere, particularly at Bibracte in Gaul, long
before the Roman Conquest, but in the opinion of Dr. Anderson, the
Bibracte enamels are the work of mere dabblers in the art compared with
the British examples: the home of the art was Britain, and the style of
the patterns, as well as the associations in which the objects decorated
with it were found, demonstrate with certainty that it had reached its
highest stage of indigenous development before it came in contact with
the Roman culture.[521] The evidence of the bronze spear-head points to
the same remarkable conclusions as the evidence of enamelled bronze, and
in the opinion of the latest and best authorities, from its first
inception throughout the whole progress of its evolution the spear-head
of the United Kingdom has a character of its own, one quite different
from those found elsewhere. In no part of the world did the spear-head
attain such perfection of form and fabric as it did in these islands,
and the old-fashioned notion that bronze weapons were imported from
abroad is now hopelessly discredited. "Why, then," ask the authors of
_The Origin, Evolution, and Classification of the Bronze
Spear-Head_,[522] "may not a bronze culture have had its birth in our
country where it ultimately attained a development scarcely equalled,
certainly not surpassed, by that in any other part of the world?"
One of the distinctions of the British spear-head is a certain variety
of tang, of which the only parallel has been found in one of the early
settlements at Troy. Forms also, somewhat similar, have been discovered
in the Islands of the Ægean sea, and in the Terramara deposits of
Northern Italy, but it is the considered opinion of Canon Greenwell and
Parker Brewis, that whatever may be the true explanation of the history
of the general development of a bronze culture in Great Britain and
Ireland, "there can be no doubt whatever that the spear-head in its
origin, progress, and final consummation was an indigenous product of
those two countries, and was manufactured within their limits apart from
any controlling influence from outside".[523]
Public-domain text, read in full here on John Shaqi.
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