Archaic England : $b an essay in deciphering prehistory from megalithic monuments, earthworks, customs, coins, place-names, and faerie superstitionsBayley, Harold
History
Archaic England : $b an essay in deciphering prehistory from megalithic monuments, earthworks, customs, coins, place-names, and faerie superstitions
Bayley, Harold
Archaeology; England -- Antiquities
There is nothing decadent or seriously wrong with the drawing of the
steeds delineated in Figs. 271 and 272, although the "what-not"
proceeding from the mouth of the Geho is somewhat perplexing. This is
seemingly a ribbon or a chain, and like the perfect chain surrounding
our SOLIDO coins, and the chain which will be noted upon the Trojan
spindle whorl illustrated on page 583, was probably intended to portray
what the ancients termed Jupiter's Chain: "All things," says Marcus
Aurelius, "are connected together by a sacred chain, and there is not
one link in it which is not allied with the whole chain, for all things
have been so blended together as to form a perfect whole, on which the
symmetry of the universe depends. There is but one world, and it
comprehends everything; one God endued with ubiquity; one eternal
matter; and one law, which is the Reason common to all intelligent
creatures."
[Illustration: FIGS. 274 to 276.--British. From Evans, and from
Barthelemy.]
A chain of pearls is proceeding from the mouth of the little figure
which appears on some of the Channel Island coins, _vide_ the DRUCCA
example herewith: students of fairy-tale are familiar with the story of
a Maid out of whose mouth, whenso'er she opened it fell jewels, and that
this fairy Maid was Reason is implied by the present day compliment in
the East, "Allah! you are a wise man, you spit pearls." The DRUCCA coin
is officially described as a "female figure standing to the left, her
right hand holding a serpent (?)" and it is quite likely that the
serpent or symbol of Wisdom was intended by the artist. There is no
question about the serpents in the Tyrian coin here illustrated, where
on either side of the Maiden they are represented with almost precisely
the same [SS] form as the [SS] proceeding from the mouths of the two
steeds on the British "altar". In the latter case the centre is a vase
or demijohn, in the former the centre is a Maid or Virgin. Without a
doubt this BER virgin is Beroë or Berith, the _pherepolis_ of Beyrout:
in Fig. 278 the two serpents are associated with a phare, fire, or pyre;
from the mouth of the British "Jupiters," illustrated in Figs. 274 and
275, the same two serpentine flames or S's are emerging.
The word BER, as has been seen, is equivalent to Vir, and in all
probability the word _virgin_ originally carried the same meaning as
_burgeon_. That old Lydgate, the monk of _Bery_, knew all about Vera and
how she made the buds to burgeon is obvious from his lines:--
Mightie Flora Goddesse of fresh flowers
Which clothed hath the soyle in lustie greene,
Made buds spring with her sweet showers
By influence of the sunne-shine
To doe pleasaunce of intent full cleane,
Unto the States which now sit here
Hath _Vere_ down sent her own daughter deare.
[Illustration: FIGS. 277 and 278.--From _Ancient Pagan and Modern
Christian Symbolism_ (Inman, C. W.).]
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account