Punch is always represented with an ample _paunch_, and this conspicuous characteristic of bonhomie is similarly a feature of Chinese and Japanese bonifaces or Bounty Gods. The skirt worn by the androgynous British Cadi may be connoted with the kilt in which the Etrurians figured their Hercules, and that in Etruria the All Father was occasionally depicted like Punch, is clear from the following passage from _The Sepulchres of Ancient Etruria_: "Hercules and Minerva were the most generally honoured of the Etruscan divinities, the one representing the most valuable qualities of a man's body and the other of his soul. They were the excellencies of flesh and spirit, and according to Etruscan mythology they were man and wife. Minerva has usually a very fine face with that straight line of feature which we call Grecian, but which, from the sepulchral paintings and the votive offerings, would appear also to have been native. Hercules has a prominent and peaky chin, and something altogether remarkably sharp in his features, which, from the evidence of vases and scarabæi together, would appear to have been the conventional form of depicting a warrior. It is probably given to signify vigilance and energy. A friend of mine used to call it, not inaptly, 'the ratcatcher style'. Neptune bears the trident, Jove the thunderbolt or sceptre, and these attributes are sometimes appended to the most grotesque figures when the Etruscans have been representing either some Greek fable, or some native version of the same story. This may be seen on one vase where Jove is entering a window, accompanied by Mercury, to visit Alcmena. Jove has just taken his foot off the ladder, and in my ignorance I looked at the clumsy but extraordinary vase, thinking that the figures represented Punch; and though I give the learned and received version of the story, I am at this moment not convinced that I was wrong, for I do not believe the professor who pointed it out to me, notwithstanding all his learning, extensive and profound as it was, knew that Punch was an Etruscan amusement. Supposing it, however, to have been Punch, which I think was my own very just discovery, the piece acted was certainly Giove and Alcmena."