Several food basins from Sikyatki have a human hand depicted upon them, and in one of these both hands are represented. On the most perfect of these hand figures (plate CXXXVII, _c_) a wristlet is well represented, with two triangular figures, which impart to it an unusual form. From between the index and second finger there arises a triangular appendage, which joins a graceful curve, extending on one side to the base of the thumb and continued on the other side to the arm. The whole inside of the basin, except the figure of the hand and its appendage, is decorated with spattering,[135] and on the outside there is a second figure, evidently a hand or the paw of some animal. This external decoration also has a triangular figure in which are two terraces, recalling rain-cloud symbols. One of the most interesting representations of the human hand (figure 354) is found on the exterior of a beautiful bowl. The four fingers and the thumb are shown with representations of nails, a unique feature in such decorations. From between the index finger and the next, or rather from the tip of the former, arises an appendage comparable with that before mentioned, but of much simpler form. The palm of the hand is crossed by a number of parallel lines, which recall a custom of using the palm lines in measuring ceremonial prayer sticks, as I have described in a memoir on the Snake dance. In place of the arm this hand has many parallel lines, the three medial ones being continued far beyond the others, as shown in the figure. QUADRUPEDS Figures of quadrupeds are sparingly used in the decoration of food bowls or basins, but the collection shows several fine specimens on which appear some of the mammalia with which the Hopi are familiar. Most of these are so well drawn that there appears to be no question as to their identification. One of the most instructive of these figures is shown in plate CXXX, _a_, which is much worn, and indistinct in detail, although from what can be traced it was probably intended to represent a mythic creature known as the Giant Elk. The head bears two branched horns, drawn without perspective, and the neck has a number of short parallel marks similar to those occurring on the figure of an antelope on the walls of one of the kivas at Walpi. The hoofs are bifid, and from a short stunted tail there arises a curved line which encircles the whole figure, connecting a series of round spots and terminating in a triangular figure with three parallel lines representing feathers. Perhaps the strangest of all appendages to this animal is at the tail, which is forked, recalling the tail of certain birds. Its meaning is unknown to me. [Illustration: BUREAU OF AMERICAN ETHNOLOGY SEVENTEENTH ANNUAL REPORT PL. CXXVIII MEDICINE BOX AND PIGMENT POTS FROM SIKYATKI]