Archeological Expedition to Arizona in 1895: Seventeenth Annual Report of the Bureau of American Ethnology to the Secretary of the Smithsonian Institution, 1895-1896, Government Printing Office, Washington, 1898, pages 519-744Fewkes, Jesse Walter
History
Archeological Expedition to Arizona in 1895: Seventeenth Annual Report of the Bureau of American Ethnology to the Secretary of the Smithsonian Institution, 1895-1896, Government Printing Office, Washington, 1898, pages 519-744
While simple swasticas are not found on any of the Sikyatki pottery,
modified and compound forms are well represented. There are several
specimens of figures of the Maltese cross, and one closely
approximating the Saint Andrew's cross. It is scarcely necessary to
say that the presence of the various kinds of crosses do not
necessarily indicate the influence of Semitic or Aryan races, for I
have already shown[151] that even cross-shape prayer-sticks were in
use among the Pueblos when Coronado first visited them.
TERRACED FIGURES
Among the most common of all geometric designs on ancient Tusayan
pottery none excel in variety or number those which I place in the
above group. They form the major part of all decoration, and there is
hardly a score of ornamented vessels in which they can not be
detected. In a typical form they appear as stepped designs,
rectangular figures with diagonals continuous, or as triangular
designs with steps represented along their sides.
While it is probable that in some instances these figures are simply
decorative, with no attempt at symbolism, in other cases without doubt
they symbolize rain-clouds, and the same figures are still used with
similar intent in modern ceremonial paraphernalia--altars,
mask-tablets, and the like. Decorative modifications of this figure
were no doubt adopted by artistic potters, thus giving varieties where
the essential meaning has been much obscured or lost.
THE CROOK
Among the forms of geometric designs on ancient Tusayan pottery there
are many jars, bowls, and other objects on which a crook, variously
modified, is the essential type. This figure is so constant that it
must have had a symbolic as well as a decorative meaning. The crook
plays an important part in the modern ritual, and is prominent on many
Tusayan altars. Around the sand picture of the rain-cloud, for
example, we find a row of wooden rods with curved ends, and in the
public Snake dance these are carried by participants called the
Antelopes. A crook in the form of a staff to which an ear of corn and
several feathers are attached is borne by _katcinas_ or masked
participants in certain rain dances. It is held in the hand by a
personage who flogs the children when they are initiated into certain
religious societies. Many other instances might be mentioned in which
this crozier-like object is carried by important personages. While it
is not entirely clear to me that in all instances this crook is a
badge of authority, in some cases it undoubtedly represents the
standing of the bearer. There are, likewise, prayer offerings in the
form of crooks, and even common forms of prayer-sticks have miniature
curved sticks attached to them.
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