Archeological Expedition to Arizona in 1895: Seventeenth Annual Report of the Bureau of American Ethnology to the Secretary of the Smithsonian Institution, 1895-1896, Government Printing Office, Washington, 1898, pages 519-744Fewkes, Jesse Walter
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Archeological Expedition to Arizona in 1895: Seventeenth Annual Report of the Bureau of American Ethnology to the Secretary of the Smithsonian Institution, 1895-1896, Government Printing Office, Washington, 1898, pages 519-744
[Footnote 150: In this connection the reader is referred to the story,
already told in former pages of this memoir, concerning the flogging
of the youth by the husband of the two women who brought the Hopi the
seeds of corn. It may be mentioned as corroboratory evidence that
Calako-taka represents a supernatural sun-bird, that the Tataukyamû
priests carry a shield with Tunwup (Calako-taka) upon it in the
Soyaluña. These priests, as shown by the etymology of their name, are
associated with the sun. In the Sun drama, or Calako ceremony, in
July, Calako-takas are personated, and at Zuñi the Shalako is a great
winter sun ceremony.]
[Footnote 151: _American Anthropologist_, April, 1895, p. 133. As
these cross-shape pahos which are now made in Tusayan are attributed
to the Kawaika or Keres group of Indians, and as they were seen at the
Keresan pueblo of Acoma in 1540, it is probable that they are
derivative among the Hopi; but simple cross decorations on ancient
pottery were probably autochthonous.]
[Footnote 152: In dolls of the Corn-maids this germinative symbol is
often found made of wood and mounted on an elaborate tablet
representing rain-clouds.]
[Footnote 153: Many similarities might be mentioned between the
terraced figures used in decoration in Old Mexico and in ancient
Tusayan pottery, but I will refer to but a single instance, that of
the stuccoed walls of Mitla, Oaxaca, and Teotitlan del Valle. Many
designs from these ruins are gathered together for comparative
purposes by that eminent Mexicanist, Dr E. Seler, in his beautiful
memoir on Mitla (_Wandmalereien von Mitla_, plate X). In this plate
exact counterparts of many geometric patterns on Sikyatki pottery
appear, and even the broken spiral is beautifully represented. There
are key patterns and terraced figures in stucco on monuments of
Central America identical with the figures on pottery from Sikyatki.]
[Footnote 154: This pillar, so conspicuous in all photographs of
Walpi, is commonly called the Snake rock.]
[Footnote 155: _American Anthropologist_, April, 1892.]
[Footnote 156: I failed to find out how the Hopi regard fossils.]
[Footnote 157: These objects were eagerly sought by the Hopi women who
visited the camps at Awatobi and Sikyatki.]
[Footnote 158: The tubular form of pipe was almost universal in the
pueblo area, and I have deposited in the National Museum pipes of this
kind from several ruins in the Rio Grande valley.]
[Footnote 159: _Journal of American Ethnology and Archæology_, vol.
IV, pp. 31, 32, 33.]
[Footnote 160: This form of pipe occurs over the whole pueblo area.]
[Footnote 161: Ancient cigarette reeds, found in sacrificial caves,
have a small fragment of woven fabric tied about them.]
[Footnote 162: The so-called "implements of wood" figured by
Nordenskiöld ("The Cliff Dwellers of the Mesa Verde," plate XLII) are
identical with some of the pahos from Sikyatki, and are undoubtedly
prayer-sticks.]
[Footnote 163: Primitive Culture, vol. ii, p. 396.]
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