difference between Norman and Saxon architecture; and this proposition I believe, will soon be universally admitted. We now know what is really Norman; and a little attention to the buildings in the north of Germany, may terminate the long-debated questions relative to Saxon architecture, and the stone-roofed chapels in the sister isle." [Illustration: Plate 56. CHURCH OF ST. NICHOLAS, AT CAEN. _East end._] In the east end of the church of St. Nicholas, (see _plate fifty-six_,) may be remarked a sensible approximation in point of style, to the same part in the church of the Trinity. The circular apsis is divided into compartments by slender cylindrical pillars; and each intercolumniation is filled by a couple of windows of comparatively large size, placed one above the other, while a row of narrow blank arches occupies the lower part. The head of each of these smaller arches is hewn out of a single stone. The height of the roof, in this part of the church, is so much greater than in the choir, as almost to justify the suspicion that it was no part of the original plan, but was an addition of a subsequent, though certainly not of a remote, æra. Were the line of it continued to the central tower, it would wholly block up and conceal the windows there. The discrepancy observable in the style of its architecture, may also possibly be regarded as enforcing the same opinion. But, indeed, as has already been more than once observed in this work, no inferences drawn from style must be admitted without the utmost hesitation. A very sensible discussion upon this point, as illustrated by the church of St. Nicholas itself, and the two adjoining churches of the Trinity and of St. Stephen, has lately appeared in one of the most popular English periodical publications, from the pen of a writer possessed of the deepest knowledge of the subject, and gifted with the most comprehensive and clearest views[115]. It were an injustice to the readers of this work, not to extract it upon the present occasion. It will supersede the necessity of any labored description of the interior of the building.--