Architectural Antiquities of NormandyTurner, Dawson
History
Architectural Antiquities of Normandy
Turner, Dawson
Architecture -- France -- Normandy; Architecture, Norman
Different opinions have prevailed with respect to the origin of the name
of Tancarville. Ordericus Vitalis calls it Tanchardi Villa: M. de
Valois, in his _Notitia Galliæ_, is disposed to claim for it the more
imposing appellation of Tancredi Villa. The point will in all
probability never be settled: it is more to be regretted, that no
account is to be found of the building of the castle, whose lofty towers
still frown in the pride of old baronial grandeur, from the summit of a
steep cliff upon the right bank of the Seine, which here, so near its
mouth, rather assumes the character of an estuary than a river. The wide
extent of the ruins sufficiently bespeaks the importance of its former
possessors: at present, nothing can be more forlorn and desolate. Mr.
Dibdin, who visited the remains in 1819, has traced the following
animated sketch of their present appearance with his lively pencil; and
Mr. Lewis, who accompanied him, has enriched his splendid Tour with a
lovely view of the buildings and surrounding scenery:--
"We ascended to the castle: the day grew soft, and bright, and
exhilarating.... but, alas; for the changes and chances of this
transitory world. Where was the warder? He had ceased to blow his horn
for many a long year. Where was the harp of the minstrel? It had
perished two centuries ago, with the hand that had struck its chords.
Where was the attendant guard?--or pursuivants?--or men at arms? They
have been swept from human existence, like the leaves of the old limes
and beech trees, by which the lower part of the building was surrounded.
The moat was dry; the rampart was a ruin:--the rank grass grew within
the area.... nor can I tell you how many vast relics of halls,
banqueting rooms, and bed rooms, with all the magnificent appurtenances
of old castellated architecture, struck the eager eye with mixed
melancholy and surprise! The singular half-circular, and half-square,
corner towers, hanging over the ever-restless wave, interested us
exceedingly. The guide shewed us where the prisoners used to be kept--in
a dungeon, apparently impervious to every glimmer of day-light, and
every breath of air. I cannot pretend to say at what period even the
oldest part of the castle of Montmorenci[194] was built: but I saw
nothing that seemed to be more ancient than the latter end of the
fifteenth century. Perhaps the greater portion may be of the beginning
of the sixteenth; but, amidst unroofed rooms, I could not help admiring
the painted borders, chiefly of a red color, which run along the upper
part of the walls, or wainscots--giving indication not only of a good,
but of a splendid, taste. Did I tell you that this sort of ornament was
to be seen in some part of the eastern end of the abbey of Jumieges?
_Here_, indeed, they afforded evidence--an evidence mingled with
melancholy sensations on conviction--of the probable state of
magnificence which once reigned throughout the castle. Between the
Public-domain text, read in full here on John Shaqi.
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