The very ancient church of Ste Croix, (the subject of these plates,) was connected with the abbey, of which little now remains. There is a tradition in the town, that it was once a temple of Ceres; and such traditions, however uncritical or even absurd, deserve to be noticed, as generally originating in a confused knowledge of the remote date of the building to which they are attached. In the opinion of M. de Gerville, a portion, at least, of the church, belongs to the edifice raised by Charlemagne, in 805. The actual erection of such an edifice, and its dedication to the holy cross, are facts distinctly stated in the _Neustria Pia_: its identity with the present church does not appear to be doubted, either by Du Monstier, or the Abbé de Billy, the historian of St. Lo. At the same time, neither the one nor the other of these writers was ignorant of the positive assertion in the _Gesta Normannorum_, that, under those successful invaders--"Sancti Laudi castrum, interfectis habitatoribus, terræ æquatum est." But, in opposition to this, M. de Gerville contends that, either this strong assertion is to be received with a certain degree of latitude, or that, by the word _castrum_, is to be understood only the citadel; so that, while that was destroyed, the domestic and religious edifices were suffered to escape. He even thinks that the parts of the building ascribable to the period of the Carlovingian dynasty, may be distinguished by a practised eye, from the reparations of the eleventh century. He traces them especially in the western front, in its door-way, (_plate eighty-seven_) and in some herring-bone masonry, observable over a narrow circular-headed window towards the south. But he founds his opinion still more upon the bas-relief, representing the Deity attended by angels, (_plate eighty-eight, fig. B._) now built into the wall at the end of the nave, on the south side. The character of the sculpture and the form of the letters appear to him to be almost decisive. With regard to the latter, he observes;--"it is well known that the Roman characters were restored by Charlemagne, especially after he had been proclaimed emperor. This fact is sufficiently attested by the various monuments still left us of his time, as well as by the coins which were struck in the latter part of his reign, and during that of Louis le Débonnaire. Elegance and simplicity in the shape of the letters, characterized the writing of this epoch; and the latter, at least, of these qualities, is eminently to be found in the inscription at St. Lo. On the other hand, correct orthography was not equally one of the excellencies of the age." [Illustration: Plate 88. CHURCH OF THE HOLY CROSS AT ST. LO. _Sculpture._]