The castle of Falaise is with justice regarded by Mr. Turner, as one of the proudest relics of Norman antiquity. The following description of it, as more copious than any other that has yet appeared, is transcribed verbatim from the Tour[200] of that author:--"It is situated on a very bold and lofty rock, broken into singular and fantastic masses, and covered with luxurious vegetation. The keep which towers above it is of excellent masonry: the stones are accurately squared, and put together with great neatness, and the joints are small; and the arches are turned clearly and distinctly, with the key-stone or wedge accurately placed in all of them. Some parts of the wall, towards the interior ballium, are not built of squared freestone; but of the dark stone of the country, disposed in a zig-zag, or, as it is more commonly called, in a herring-bone direction, with a great deal of mortar in the interstices: the buttresses, or rather piers, are of small projection, but great width. The upper story, destroyed about forty years since, was of a different style of architecture. According to an old print,[201] it terminated with a large battlement, and bartizan towers at the angles. This dungeon was formerly divided into several apartments, in one of the lower of which was found, about half a century ago, a very ancient tomb, of good workmanship, ornamented with a sphynx at each end, but bearing no inscription whatever. Common report ascribed the coffin to Talbot, who was for many years governor of the castle; and at length an individual engraved upon it an epitaph to his honor: but the fraud was discovered, and the sarcophagus put aside, as of no account. The second, or principal, story of the keep, now forms a single square room, about fifty feet wide, lighted by circular-headed windows, each divided into two by a short and massy central pillar, whose capital is altogether Norman. On one of the capitals is sculptured a child leading a lamb,[202] a representation, as it is foolishly said, of the Conqueror, whom tradition alledges to have been born in the apartment to which this window belonged: another pillar has an elegant capital, composed of interlaced bands.--Connected with the dungeon by a stone staircase is a small apartment, very much dilapidated, but still retaining a portion of its original facing of Caen stone. It was from the window of this apartment, as the story commonly goes, that Duke Robert first saw the beautiful Arlette, drawing water from the streamlet below, and was enamoured of her charms, and took her to his bed.--According to another version of the tale, the earliest interview between the prince and his fair mistress, took place as Robert was returning from the chace, with his mind full of anger against the inhabitants of Falaise, for having presumed to kill the deer which he had commanded should be preserved for his royal pastime. In this offence the curriers of the town had borne