Architectural Antiquities of NormandyTurner, Dawson
History
Architectural Antiquities of Normandy
Turner, Dawson
Architecture -- France -- Normandy; Architecture, Norman
in the style of both, reasonably be regarded as of nearly the same
æra,--the time of the Norman conquest; and he goes on to add that,
through these, the English antiquary may be enabled to fix the date to a
specimen of ancient architecture in his own country, more splendid than
either,--the church of Castle-Rising,[83] in Norfolk, whose west front
is so much on the same plan, that it can scarcely have been erected at a
very different period.
The church of Léry (_see plate forty-four_) is built in the form of a
cross, having in the centre a short square tower, to which has been
attached, in modern times, a wretched wooden spire. This Mr. Cotman has
very judiciously omitted, as adding nothing to the interest of the
plate, and merely tending to deform what is otherwise seen in nearly the
same state in which it left the hands of the original builders. The
corbel-table, observable immediately under the top of the tower, and in
some parts of the choir and transepts, exhibits the same description of
monsters, as in the church of St. Paul at Rouen, of the Holy Trinity at
Caen, and other Norman religious buildings.--Two peculiarities attending
upon the exterior of the church are, that the east end is flat, and that
the transepts are altogether without buttresses.
[Illustration: Plate 45. CHURCH OF LÉRY, NEAR PONT-DE-L'ARCHE.
_West Front._]
[Illustration: Plate 46. CHURCH OF LÉRY, NEAR PONT-DE-L'ARCHE.
_Interior._]
In the interior (_plate forty-six_) it is impossible not to be struck
with the extraordinary simplicity and solidity of the whole. The only
aim of the architect appears to have been to erect an edifice that
should last for ever. A double row of pillars and arches separates the
nave into three parts of unequal width; and another arch, of greater
span, divides it from the chancel. The arches are in every instance
devoid of mouldings; the capitals are altogether without ornamental
sculpture of any description; and the pillars are even unsupported by
bases. Indeed, the pillars are nothing more than rounded piers; and they
are not less remarkable for their proportions, than for their
simplicity, their diameter being equal to full two-thirds of their
height. Hence it is scarcely possible not to entertain the suspicion
that the floor may have been raised; but there is nothing in the
appearance of the church to justify such an idea. It is scarcely
necessary to mention, that the figures of saints placed upon brackets
against the spandrils of the arches, are all modern. Their execution is
wretched; and its imperfection is rendered but the more apparent, by
their having been painted in imitation of living nature. The
string-course, which runs immediately above their heads, is placed in a
very uncommon situation. It is composed of the nail-head ornament, in
itself a sufficient proof of its antiquity; and also, as is observed by
Mr. Cotman, of such rarity in Normandy, that he does not recollect to
have met with another instance of it.
Public-domain text, read in full here on John Shaqi.
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