Architecture; Architecture -- United States; Decoration and ornament; Sullivan, Louis H., 1856-1924
The reason is involved in the answer to the question, "Of what is
marriage a symbol?" The most obvious answer, and doubtless the best
one, is found in the well known and much abused doctrine, common to
every religion, of the spiritual marriage between God and the soul.
What Christians call _the Mystic Way,_ and Buddhists _the Path_
comprises those changes in consciousness through which every soul
passes on its way to perfection. When the personal life is conceived
of as an allegory of this inner, intense, super-mundane life, it
assumes a sacramental character. With strange unanimity, followers
of the Mystic Way have given the name of marriage to that memorable
experience in "the flight of the Alone to the Alone," when the soul,
after trials and purgations, enters into indissoluble union with the
spirit, that divine, creative principle whereby it is made fruitful
for this world. Marriage, then, however dear and close the union, is
the symbol of a union dearer and closer, for it is the fair prophecy
that on some higher arc of the evolutionary spiral, the soul will meet
its immortal lover and be initiated into divine mysteries.
As an example of the power of symbols to induce those changes of
consciousness whereby the soul is prepared for this union, it is
recorded that an eminent scientist was moved to alter his entire mode
of life on reflecting, while in his bath one morning, that though each
day he was at such pains to make clean his body, he made no similar
purgation of his mind and heart. The idea appealed to him so
profoundly that he began to practise the higher cleanliness from that
day forth.
If it be true, as has been said, that ordinary life in the world is a
training school for a life more real and more sublime, then everything
pertaining to life in the world must possess a sacramental character,
and possess it inherently, and not merely by imputation. Let us
discover, then, if we can, some of the larger meanings latent in
little things.
When at the end of a cloudy day the sun bursts forth in splendor and
sets red in the west, it is a sign to the weather-wise that the next
day will be fair. To the devotee of the sacramental life it holds a
richer promise. To him the sun is a symbol of the love of God; the
clouds, those worldly preoccupations of his own which hide its face
from him. This purely physical phenomenon, therefore, which brings
to most men a scarcely noticed augmentation of heat and light, and
an indication of fair weather on the morrow, induces in the mystic an
ineffable sense of divine immanence and beneficence, and an assurance
of their continuance beyond the dark night of the death of the body.
Public-domain text, read in full here on John Shaqi.
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