Architecture : $b nineteenth and twentieth centuriesHitchcock, Henry-Russell
History
Architecture : $b nineteenth and twentieth centuries
Hitchcock, Henry-Russell
Architecture, Modern -- 19th century; Architecture, Modern -- 20th century
Some further Continental examples of the use of iron in the late
twenties and thirties deserve mention at this point. Alavoine—at whose
suggestion Duc’s Bastille Column, begun in 1831, was made of metal,
though the metal is bronze not iron—designed in 1823 a flèche 432 feet
tall to rise over the crossing of Rouen Cathedral in the form of an
openwork cage of iron. Begun in 1827 and interrupted in 1848, this was
finally completed by the younger Barthélémy (Eugène, 1841-98) and L.-F.
Desmarest (1814-?) in 1877. In 1829-31 Fontaine roofed the
Galeried’Orléans, which he built across the garden of the Palais Royal,
with iron and glass. This structure, now destroyed, was more prominent
and also much wider than most of the many _passages_ and _galeries_[162]
with glass roofs that had been built in Paris and elsewhere in France
from the 1770s on. The most impressive extant French example is the
Passage Pommeraye in Nantes, built by Durand-Gasselin and J.-B. Buron
(?-1881) in 1843; in this the circulation moves upwards from one end to
the other through three storey-levels. A modest Milanese example of
1831, the Galleria de Cristoforis by Andrea Pizzala (?-1862), might be
mentioned here also, as it was the local prototype for the greatest of
all these characteristic nineteenth-century urban features, Mengoni’s
Galleria Vittorio Emanuele begun in the sixties (Plate 75B). Of the many
early nineteenth-century ones that remain in other European cities, the
Galerie Saint-Hubert in Brussels, built by J.-P. Cluysenaer (1811-80), a
pupil of Suys, in 1847, is one of the largest and best maintained.
Warren’s Providence Arcade in Providence, R.I., has been mentioned
earlier.
Related to the _galeries_, and sometimes also so-called, were the large
Parisian enterprises of this period that were really early department
stores. The Bazar de l’Industrie, built by Paul Lelong (1799-1846) in
1830, had a large glass-roofed and iron-galleried court of the sort that
was to be continued in Parisian department stores down into the present
century (see Chapter 16). Even larger and bolder were the similar courts
in the department store known as the Galeries du Commerce et de
l’Industrie, built by Grisart and Froehlicher in the Boulevard
Bonne-Nouvelle in 1838, which has already been mentioned for its richly
arcaded Renaissance façades (Plate 62A). Shop-fronts of iron were also
frequent in Paris[163] by this time. Thus in France, as in England and
America, the use of iron was closely associated with structures for
business use, but more usually with sales emporia than with office
buildings (see Chapter 14). Such, however, were not unknown in England
and America, though they were generally less extensive and made less use
of glass-roofed courts.
Public-domain text, read in full here on John Shaqi.
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