Architecture : $b nineteenth and twentieth centuriesHitchcock, Henry-Russell
History
Architecture : $b nineteenth and twentieth centuries
Hitchcock, Henry-Russell
Architecture, Modern -- 19th century; Architecture, Modern -- 20th century
In New York, Boston, and other large cities the vast granite piles in
this mode that long served as post offices are all gone. In Chicago the
Cook County Buildings built by J. J. Egan in 1872-5 have also long since
been replaced. In San Francisco Fuller & Laver’s extensive group of
Municipal Buildings was destroyed in the fire that followed the
earthquake of 1906. This must have been the largest, the richest, and
plastically the most complex production of the whole lot, with its
triangular site, boldly articulated massing, and central dome.
Though threatened by every new administration, the State, War and Navy
Department Building built by Mullet in 1871-5 still stands,
overshadowing the nearby White House. This is perhaps the best extant
example in America of the Second Empire—or as it is sometimes called
locally, the ‘General Grant’—mode (Plate 82B). The tiers of Roman-arched
orders in fine grey granite, borrowed by Gilman as consultant architect
and presumptive designer from his earlier Boston City Hall rather than
from Paris, tower up storey above storey to carry mansards of various
different heights above the complex pavilioned plan. Cold and grand,
almost without sculptural decoration, this could hardly be less like the
New Louvre or the old Tuileries in general texture; nor is there any of
the playful semi-Gothic detail of Knowles’s and Giles’s London hotels or
of the festive colouring and lush ornamentation of Brodrick’s at
Scarborough.
The contrast of the old State Department Building with its _pendant_ on
the other side of Lafayette Square, Mills’s Grecian Treasury, finally
completed by Rogers a decade earlier, is shocking to most people. Yet it
is fascinating to read here the representational aspirations of an age
that found its most significant expression, not in its public buildings,
but in the new skyscrapers which first rose in New York at just this
time, Hunt’s Tribune Building and the Western Union Building by his
pupil George B. Post. Both, incidentally, were heavily mansarded, and
the one by the American-trained Post was much more typically Second
Empire than is the French-trained Hunt’s (see Chapter 14).
Public-domain text, read in full here on John Shaqi.
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