To restore the strength of the church, as the piety of the later Bourbons demanded, priests had to be trained in quantity. The next significant work undertaken in Paris after the Chapelle Expiatoire was the Séminaire Saint-Sulpice in the Place St Sulpice by É.-H. Godde (1781-1869); this was begun in 1820 and completed in 1838. So flat and cold are its façades that the observer may readily fail to note that the design somewhat approaches, perhaps unconsciously, the _quattrocento_ Florentine. However, it quite lacks the archaeological character of Klenze’s Königsbau in Munich, designed only a few years later, or the vigour and assurance of Wimmel & Forsmann’s Johanneum in Hamburg. In fact, of course, it derives almost directly from Durand and not from any careful study of Grandjean de Montigny’s _Architecture toscane_. Somewhat more definitely Early Renaissance in detail are the Baths at Mont d’Or, built by L.-C.-F. Ledru (1771-1861), a pupil of Durand, in 1822, and the Barracks in the Rue Mouffetard in Paris as extended in 1827 by Charles Rohault de Fleury (1801-75). Both exploit a rusticated Tuscan mode somewhat as Klenze was doing in Munich, but much less archaeologically. Shortly after the Séminaire, Godde undertook several Paris churches. Saint-Pierre-du-Gros-Caillou in the Rue St Dominique of 1822-3 replaced a church destroyed in the Revolution. Finer and considerably larger is Saint-Denis-du-Saint-Sacrament in the Rue de Turenne, built in 1823-35. Both are barrel-vaulted basilicas in the tradition of Chalgrin’s Saint-Philippe-du-Roule; the latter is rather elegant in its dry severity, the former confused by various later additions behind the altar. Notre-Dame-de-Bonne-Nouvelle of 1823-30 is smaller and more modest, as are also two nearly contemporary Paris churches by A.-I. Molinos (1795-1850), Saint-Jean-Baptiste in Neuilly of 1827-31 and Sainte-Marie-des-Batignolles in the Place du Dr Félix Lobligeois in Paris of 1828-9. All these churches lack externally the Grecian grandeur of scale of the London churches of the period built by the Inwoods and others (see Chapter 4), but the basilican plan provides interiors that are considerably more interesting than the galleried halls with which most English architects were satisfied at this time. Of course, such a highly original interior as that of Soane’s St Peter’s, Walworth, of 1822 is in a different class altogether.