Architecture: Classic and Early ChristianSmith, T. Roger (Thomas Roger)
History
Architecture: Classic and Early Christian
Smith, T. Roger (Thomas Roger)
Architecture -- History; Church architecture
The interest of these buildings lies not so much in their venerable
antiquity as in the fact that the arrangements of all Christian
churches in Western Europe down to the Reformation, and of very many
since, are directly derived from these originals. If the reader will
refer to the description of a Gothic cathedral in the companion volume
of this series,[28] it will not be difficult for him to trace the
correspondence between its plan and its general structure and those of
the primitive basilica. The atrium no longer forms the access to a
cathedral, but it still survives in the cloister, though in a changed
position. The narthex or porch is still more or less traceable in the
great western portals, and in a kind of separation which often, but
not always, exists between the westernmost bay of a cathedral and the
rest of the structure. The division into nave and aisles remains, and
in very large churches and cathedrals there are double aisles, as
there were in the largest basilicas. The nave roof is still higher
than the aisles--the arcade, in two stories, survives in the usual
arcade and triforium; the windows placed high in the nave are the
present clerestory. The apsidal termination of the central avenue is
still retained in almost all Continental architecture, though in Great
Britain, from an early date, it was abandoned for a square east end;
but square-ended or apsidal, a recess with a raised floor and a
conspicuous arch, marking it off from the nave, always occupies this
end of the church; and the under church, or crypt, is commonly, though
not always, met with. The enclosure for the choir has, generally
speaking, been moved farther east than it was in the basilica
churches; though in Westminster Abbey, and in most Spanish cathedrals,
we have examples of its occupying a position closely analogous to that
of the corresponding enclosure at the basilica of San Clemente. The
cross passage to which we have referred as having existed in the old
basilica of St. Peter, and many others, is the original of the
transept which in later churches has been made more conspicuous than
it was in the basilica by being lengthened so as to project beyond the
side walls of the church, and by being moved more westward. Lastly,
the two ambos, or pulpits, survive in two senses. They are represented
by the reading desk and the pulpit, and their situation and purpose
are continued in the epistle and gospel sides of the choir.
Public-domain text, read in full here on John Shaqi.
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