The hôtels (_i.e._ town mansions) and châteaux of the French nobility furnish a series of examples, showing the successive styles of almost every part of the Renaissance period. The phases of the style, subsequent to that of Francis the First, can however, be so well illustrated by public buildings in Paris, that it will be hardly necessary to go through a list of private residences however commanding; but the Château of Maisons, and the Royal Château of Fontainebleau, may be named as specimens of a class of building which shows the capacity of the Renaissance style when freely treated. Renaissance buildings in France are distinguished by their large extent and the ample space which has been in many instances secured in connection with them. They are rarely of great height or imposing mass like the early Italian palaces. For the most part they are a good deal broken up, the surface of the walls is much covered by architectural features, not usually on a large scale, so that the impression of extent which really belongs to them is intensified by the treatment which their architects have adopted. Orders are frequently introduced and usually correspond with the storeys of the building. However this may be the storeys are always well marked. The sky-line also is generally picturesque and telling, though Versailles and the work of Lescot at the Louvre form an exception. Rustication is not much employed, and the vast but simple crowning cornices of the Italian palaces are never made use of. Narrow fronts like those at Venice, and open arcades or loggias like those of Genoa, do not form features of French Renaissance buildings; but on the other hand, much richness, and many varieties of treatment which the Italians never attempted, were tried, and as a rule successfully, in France. Much good sculpture is employed in external enrichments, and a cultivated if often luxuriant taste is always shown. Many of the interiors are rich with carving, gilding, and mirrors, but harmonious coloured decoration is rare, and the fine and costly mosaics of Italy are almost unknown. BELGIUM AND THE NETHERLANDS. These countries afford but few examples of Renaissance. The Town Hall at Antwerp, an interesting building of the sixteenth century, and the Church of St. Anne at Bruges, are the most conspicuous buildings; and there are other churches in the style which are characteristic, and parts of which are really fine. The interiors of some of the town halls display fittings of Renaissance character, often rich and fanciful in the extreme, and bearing a general resemblance to French work of the same period. [Illustration: FIG. 77.--WINDOW FROM COLMAR. (1575.)] [Illustration: FIG. 78.--ZEUGHAUS, DANTZIC. (1605.)] GERMANY AND NORTHERN EUROPE.